[{"data":1,"prerenderedAt":830},["ShallowReactive",2],{"sanity-7MFAekGJtq":3,"sanity-p5OGwSLTBp":21,"sanity-LMlQEfGZOM":26,"sanity-QxBQkT1yjT":26,"sanity-zUTZThHhYD":27,"sanity-RtsDaqZQyq":29,"sanity-rKOqPA29b1":34},[4,10,16],{"index":5,"navbarTitle":6,"navbarTitleTranslations":7,"page_id":9},1,"Scénographies",{"en":8},"Set design","scenographies",{"index":11,"navbarTitle":12,"navbarTitleTranslations":13,"page_id":15},2,"Constructions",{"en":14},"builder","constructions",{"index":17,"navbarTitle":18,"navbarTitleTranslations":19,"page_id":20},3,"Installations",{"en":18},"installations",{"activeColor":22,"backgroundColor":23,"hoverColor":22,"navbrandImage":24,"textColor":25},"#717271","#ffffff","https://cdn.sanity.io/images/72lhhwk9/production/e2f183feede1d42eb08a453d0bbea58da798d38a-933x312.png","#000000",null,{"navbarTitle":28,"navbarTitleTranslations":26},"Accueil",{"backgroundColor":30,"contactEmail":31,"copyright":32,"textColor":33},"#f7f7f7","mgn.pasquetti@gmail.com","Copyright © 2026","#212529",{"projects":35},[36,83,225,350,419,523,615,700,829],{"projectInfo":37,"projectPhotoGallery":60,"slugProject":82},{"artists":38,"artistsTranslations":26,"description":49,"descriptionTranslations":26,"lieu":57,"lieuTranslations":26,"projectName":58,"projectNameTranslations":26,"subtitle":59,"subtitleTranslations":26},[39],{"_key":40,"_type":41,"children":42,"style":48},"dd56ba5a-a45e-46b0-af48-1ae85749086f","block",[43],{"_key":44,"_type":45,"marks":46,"text":47},"31e13fb5-53e5-44a3-89e7-249dc421d7da","span",[],"Marta Pasquetti","normal",[50],{"_key":51,"_type":41,"children":52,"style":48},"36adaae0-b278-433d-8568-6d2b6af53f17",[53],{"_key":54,"_type":45,"marks":55,"text":56},"41931af1-baa7-4142-81a9-2de622005112",[],"Cette installation explore le concept de refuge, créant un espace hybride qui floute les frontières entre l’intérieur et l’extérieur, entre le théâtre et la vie quotidienne. C’est une excroissance du théâtre qui s’étend au-delà de ses murs, une invitation à redéfinir notre perception de l’espace.\nL'œuvre se présente comme une frontière à la fois sécurisante et poreuse, permettant d’observer sans être vu. Cette architecture légère, conçue comme un \"premier secours\", intègre un sac de couchage collectif composé d’une quarantaine de couvertures de survie. Ce dispositif s’insère dans un espace clos, incitant le public à franchir le seuil et à entrer dans un nouvel univers.\nÀ l’intérieur, un microcosme argenté émerge, agissant comme une fenêtre ouverte sur le monde extérieur. Ce contraste entre le refuge intime et l’environnement qui l’entoure crée une dynamique d’interaction, invitant chacun à réfléchir sur la notion de sécurité, de communauté et d’intimité. À travers cette installation, l’artiste propose une expérience immersive qui nous pousse à questionner notre rapport aux espaces que nous habitons et aux frontières que nous traçons.","Théâtre Victor Hugo (FR)","IN/OUT","Le re-fuge",[61,66,70,74,78],{"asset":62,"caption":26,"crop":26,"hotspot":26,"imgAlt":26,"mediaType":65,"videoUrl":26},{"_id":63,"url":64},"image-7254d230c6c70d6be46a278d406cd4900094d037-3648x2736-jpg","https://cdn.sanity.io/images/72lhhwk9/production/7254d230c6c70d6be46a278d406cd4900094d037-3648x2736.jpg","image",{"asset":67,"caption":26,"crop":26,"hotspot":26,"imgAlt":26,"mediaType":65,"videoUrl":26},{"_id":68,"url":69},"image-9a499172e0f0534461e0bb1cf19af082751313ac-4172x2936-jpg","https://cdn.sanity.io/images/72lhhwk9/production/9a499172e0f0534461e0bb1cf19af082751313ac-4172x2936.jpg",{"asset":71,"caption":26,"crop":26,"hotspot":26,"imgAlt":26,"mediaType":65,"videoUrl":26},{"_id":72,"url":73},"image-5e5fde99f1f5c1c49ea1971d5f3e1583cddb2d58-5744x3829-jpg","https://cdn.sanity.io/images/72lhhwk9/production/5e5fde99f1f5c1c49ea1971d5f3e1583cddb2d58-5744x3829.jpg",{"asset":75,"caption":26,"crop":26,"hotspot":26,"imgAlt":26,"mediaType":65,"videoUrl":26},{"_id":76,"url":77},"image-8075202b9b2b32bc3d84bd3d1409677fcf89432c-3648x2736-jpg","https://cdn.sanity.io/images/72lhhwk9/production/8075202b9b2b32bc3d84bd3d1409677fcf89432c-3648x2736.jpg",{"asset":79,"caption":26,"crop":26,"hotspot":26,"imgAlt":26,"mediaType":65,"videoUrl":26},{"_id":80,"url":81},"image-a6ad08b10f1b6ad2aa9e275a16d2681a61e3c2f5-4000x6000-jpg","https://cdn.sanity.io/images/72lhhwk9/production/a6ad08b10f1b6ad2aa9e275a16d2681a61e3c2f5-4000x6000.jpg","in-out",{"projectInfo":84,"projectPhotoGallery":182,"slugProject":224},{"artists":85,"artistsTranslations":94,"description":104,"descriptionTranslations":142,"lieu":26,"lieuTranslations":26,"projectName":180,"projectNameTranslations":181,"subtitle":26,"subtitleTranslations":26},[86],{"_key":87,"_type":41,"children":88,"markDefs":93,"style":48},"b3dae5999bd4",[89],{"_key":90,"_type":45,"marks":91,"text":92},"6497a869a198",[],"Artist.e.s: Marta Pasquetti.",[],{"en":95},[96],{"_key":97,"_type":41,"children":98,"markDefs":103,"style":48},"35b6fe2d99e0",[99],{"_key":100,"_type":45,"marks":101,"text":102},"316c70244f9d",[],"Artist: Marta Pasquetti.",[],[105,114,126,134],{"_key":106,"_type":41,"children":107,"markDefs":113,"style":48},"cd8ccbd1973a",[108],{"_key":109,"_type":45,"marks":110,"text":112},"bd6fa4538154",[111],"strong","Light installation ",[],{"_key":115,"_type":41,"children":116,"markDefs":125,"style":48},"4df6b8b90e44",[117,121],{"_key":118,"_type":45,"marks":119,"text":120},"1ac6445bcffa0",[111],"Lieu:",{"_key":122,"_type":45,"marks":123,"text":124},"7f86e76fa733",[]," Differdange (LU)",[],{"_key":127,"_type":41,"children":128,"markDefs":133,"style":48},"614928995624",[129],{"_key":130,"_type":45,"marks":131,"text":132},"636b24587698",[],"La scénographe Marta Pasquetti a imaginé un éclairage unique pour le pavillon, en participant activement à sa construction. Inspirée par les teintes rouges des terrils chargés d’oxyde de fer caractéristiques du sud du Luxembourg, elle a intégré cette couleur dans sa démarche pour évoquer subtilement le paysage local.",[],{"_key":135,"_type":41,"children":136,"markDefs":141,"style":48},"291e30e5a84f",[137],{"_key":138,"_type":45,"marks":139,"text":140},"f96371160e6a0",[],"Pasquetti a également conçu une installation de lumière en trois dimensions, en mouvement. Elle a opté pour des éclairages rasants qui allègent visuellement la structure, ajoutant une qualité aérienne et presque immatérielle à l’installation, invitant les visiteurs à une immersion sensorielle.",[],{"en":143},[144,152,164,172],{"_key":145,"_type":41,"children":146,"markDefs":151,"style":48},"60fde7b05364",[147],{"_key":148,"_type":45,"marks":149,"text":150},"1c306b94b8080",[111],"Light Installation",[],{"_key":153,"_type":41,"children":154,"markDefs":163,"style":48},"f2f32c1cdbcf",[155,159],{"_key":156,"_type":45,"marks":157,"text":158},"9e35be57ca850",[111],"Location: ",{"_key":160,"_type":45,"marks":161,"text":162},"c81f735562b4",[],"Differdange (LU)",[],{"_key":165,"_type":41,"children":166,"markDefs":171,"style":48},"873da6e3df1c",[167],{"_key":168,"_type":45,"marks":169,"text":170},"fab9658650650",[],"The scenographer Marta Pasquetti envisioned a unique lighting design for the pavilion, actively participating in its construction. Inspired by the red tones of iron oxide-laden slag heaps typical of southern Luxembourg, she incorporated this color into her approach to subtly evoke the local landscape.",[],{"_key":173,"_type":41,"children":174,"markDefs":179,"style":48},"a6e8f805c9c1",[175],{"_key":176,"_type":45,"marks":177,"text":178},"469ce7b17cd70",[],"Pasquetti also created a three-dimensional, moving light installation. She chose low-angle lighting that visually lightens the structure, giving it an airy and almost ethereal quality, inviting visitors into a sensory immersion.",[],"Le Pavilllon",{"en":180},[183,197,211],{"asset":184,"caption":26,"crop":187,"hotspot":192,"imgAlt":26,"mediaType":65,"videoUrl":26},{"_id":185,"url":186},"image-d4f8f48a3aeb3328d02970f50ab5773fb76faafe-6912x3456-png","https://cdn.sanity.io/images/72lhhwk9/production/d4f8f48a3aeb3328d02970f50ab5773fb76faafe-6912x3456.png",{"_type":188,"bottom":189,"left":190,"right":191,"top":189},"sanity.imageCrop",0,0.22860926797945202,0.19218214897260277,{"_type":193,"height":5,"width":194,"x":195,"y":196},"sanity.imageHotspot",0.5792085830479452,0.5182135595034246,0.5,{"asset":198,"caption":26,"crop":201,"hotspot":206,"imgAlt":26,"mediaType":65,"videoUrl":26},{"_id":199,"url":200},"image-98ae7645fea1d66adc1ee501df31db6e6a2cd60d-6912x3456-png","https://cdn.sanity.io/images/72lhhwk9/production/98ae7645fea1d66adc1ee501df31db6e6a2cd60d-6912x3456.png",{"_type":188,"bottom":202,"left":203,"right":204,"top":205},0.16019638270547953,0.23707058005136994,0.18810867936643838,0.1963158176369863,{"_type":193,"height":207,"width":208,"x":209,"y":210},0.6434877996575341,0.5748207405821917,0.5244809503424658,0.5180597174657533,{"asset":212,"caption":26,"crop":215,"hotspot":219,"imgAlt":26,"mediaType":65,"videoUrl":26},{"_id":213,"url":214},"image-3458726a21d4e23c7ce3559b3c455db33e3808d9-6912x3456-png","https://cdn.sanity.io/images/72lhhwk9/production/3458726a21d4e23c7ce3559b3c455db33e3808d9-6912x3456.png",{"_type":188,"bottom":189,"left":216,"right":217,"top":218},0.13552814640410954,0.21739217679794542,0.12474582619863023,{"_type":193,"height":220,"width":221,"x":222,"y":223},0.8752541738013697,0.647079676797945,0.45906798480308203,0.5623729130993151,"le-pavilllon",{"projectInfo":226,"projectPhotoGallery":334,"slugProject":349},{"artists":227,"artistsTranslations":26,"description":240,"descriptionTranslations":285,"lieu":26,"lieuTranslations":26,"projectName":330,"projectNameTranslations":331,"subtitle":332,"subtitleTranslations":333},[228],{"_key":229,"_type":41,"children":230,"markDefs":239,"style":48},"b64f00ff322d",[231,235],{"_key":232,"_type":45,"marks":233,"text":234},"60085bd627f3",[111],"Artist.e.s ",{"_key":236,"_type":45,"marks":237,"text":238},"6ae8a5274a63",[],":Marta Pasquetti, Nicolas Atlé",[],[241,253,261,269,277],{"_key":242,"_type":41,"children":243,"markDefs":252,"style":48},"cdc5914ba625",[244,248],{"_key":245,"_type":45,"marks":246,"text":247},"a3629fab9ee00",[111],"Lieu: ",{"_key":249,"_type":45,"marks":250,"text":251},"5c5928879113",[],"Festival Dédale (FR)",[],{"_key":254,"_type":41,"children":255,"markDefs":260,"style":48},"6386216a9e01",[256],{"_key":257,"_type":45,"marks":258,"text":259},"17a1c8f569ed",[],"Cette œuvre navigue entre deux realms : d'un côté, le concept de \"lieu\", ancré dans une topographie, un territoire et une culture spécifiques ; de l'autre, \"nulle part\", incarnant l'utopie, l'altérité et ce qui n'existe pas. « Le lieu de nulle part » intègre également la notion de mouvement, de transport vers cet ailleurs familier.",[],{"_key":262,"_type":41,"children":263,"markDefs":268,"style":48},"f02e0a7b0996",[264],{"_key":265,"_type":45,"marks":266,"text":267},"1d0b05db80760",[],"L'œuvre tente d'encapsuler le paradoxe de ces thématiques en créant un espace esthétique qui est à la fois reconnaissable et conceptuellement accessible au visiteur, tout en étant simultanément imprégné d'une étrangeté inhérente. L'installation invite les visiteurs à \"habiter\" momentanément le ciel.",[],{"_key":270,"_type":41,"children":271,"markDefs":276,"style":48},"80574d4a316f",[272],{"_key":273,"_type":45,"marks":274,"text":275},"4e08e3a552fa0",[],"Au bout d'un couloir, le visiteur rencontre une porte menant à une pièce enveloppée par la végétation. Cette pièce existe conceptuellement, car la porte elle-même est un élément culturel universellement reconnu, sa fonction étant ancrée dans la conscience collective comme un passage vers un autre lieu. En entrant, le visiteur se retrouve debout sur un miroir, avec une autre porte au-dessus de lui, ouverte sur le ciel. Ainsi, l'installation définit un espace de projection poétique—un dispositif qui transporte le visiteur vers nulle part, réfléchissant l'infini du ciel à travers le miroir au sol.",[],{"_key":278,"_type":41,"children":279,"markDefs":284,"style":48},"a08482cb91e5",[280],{"_key":281,"_type":45,"marks":282,"text":283},"d438f497766b0",[],"Dans ce point intermédiaire de nulle part, le visiteur occupe une pièce imaginaire, avec deux portes servant de seul véhicule pour naviguer dans cet espace liminal. L'expérience devient une méditation sur l'interaction entre le familier et l'inconnu, incitant à réfléchir sur nos perceptions du lieu, du mouvement et de l'immensité des possibilités.",[],{"en":286},[287,298,306,314,322],{"_key":288,"_type":41,"children":289,"markDefs":297,"style":48},"145b5a4a036a",[290,293],{"_key":291,"_type":45,"marks":292,"text":158},"dfcd7cda0c1f",[111],{"_key":294,"_type":45,"marks":295,"text":296},"91ef3ac500b3",[],"Festival Dedale ( FR)",[],{"_key":299,"_type":41,"children":300,"markDefs":305,"style":48},"298b14e5e36b",[301],{"_key":302,"_type":45,"marks":303,"text":304},"d04313b4cd61",[],"This artwork navigates the tension between two realms: on one side, the concept of \"place,\" rooted in a specific topography, territory, and culture; on the other, \"nowhere,\" embodying utopia, the otherness, and that which does not exist. “The place of nowhere” also incorporates the notion of movement, of transport towards this familiar elsewhere.",[],{"_key":307,"_type":41,"children":308,"markDefs":313,"style":48},"e7391e2e0012",[309],{"_key":310,"_type":45,"marks":311,"text":312},"46b2d456c2ab0",[],"The piece endeavors to encapsulate the paradox of these themes by crafting an aesthetic space that is both recognizable and conceptually accessible to the visitor, yet simultaneously imbued with an inherent strangeness. The installation invites visitors to momentarily \"inhabit\" the sky.",[],{"_key":315,"_type":41,"children":316,"markDefs":321,"style":48},"1b62a63d021f",[317],{"_key":318,"_type":45,"marks":319,"text":320},"803299f9c14c0",[],"At the end of a corridor, the visitor encounters a door leading to a room enveloped by vegetation. This room exists conceptually, as the door itself is a universally recognized cultural element, its function rooted in the collective consciousness as a passage to another place. Upon entering, the visitor finds themselves standing on a mirror, with another door above them, open to the sky. Thus, the installation defines a space of poetic projection—a device that transports the visitor to nowhere, reflecting the infinite expanse of the sky through the mirror on the ground.",[],{"_key":323,"_type":41,"children":324,"markDefs":329,"style":48},"36b8c7b52174",[325],{"_key":326,"_type":45,"marks":327,"text":328},"09284c935eef0",[],"In this halfway point of nowhere, the visitor occupies an imaginary room, with two doors serving as their sole vehicle to navigate this liminal space. The experience becomes a meditation on the interplay between the familiar and the unknown, urging reflection on our perceptions of place, movement, and the vastness of possibility.",[],"Mi-lieu",{"en":330},"Installation / Land Art",{"en":332},[335,348],{"asset":336,"caption":26,"crop":339,"hotspot":343,"imgAlt":26,"mediaType":65,"videoUrl":26},{"_id":337,"url":338},"image-4310904887dc5d59fc8831c33ecd5cc31a5ff3b8-6912x3456-png","https://cdn.sanity.io/images/72lhhwk9/production/4310904887dc5d59fc8831c33ecd5cc31a5ff3b8-6912x3456.png",{"_type":188,"bottom":340,"left":341,"right":342,"top":189},0.08369006849315075,0.32922864940068525,0.3223659567636985,{"_type":193,"height":344,"width":345,"x":346,"y":347},0.9163099315068493,0.3484053938356163,0.5034313463184934,0.4581549657534246,{"asset":26,"caption":26,"crop":26,"hotspot":26,"imgAlt":26,"mediaType":65,"videoUrl":26},"mi-lieu",{"projectInfo":351,"projectPhotoGallery":413,"slugProject":418},{"artists":352,"artistsTranslations":361,"description":370,"descriptionTranslations":390,"lieu":26,"lieuTranslations":26,"projectName":410,"projectNameTranslations":411,"subtitle":412,"subtitleTranslations":26},[353],{"_key":354,"_type":41,"children":355,"markDefs":360,"style":48},"a53dcb3c975f",[356],{"_key":357,"_type":45,"marks":358,"text":359},"dbbee1171dc5",[],"Artist: Marta Pasquetti",[],{"en":362},[363],{"_key":364,"_type":41,"children":365,"markDefs":369,"style":48},"85cf74cea7ef",[366],{"_key":367,"_type":45,"marks":368,"text":359},"448bf7e053a1",[],[],[371,382],{"_key":372,"_type":41,"children":373,"markDefs":381,"style":48},"925db125eea9",[374,377],{"_key":375,"_type":45,"marks":376,"text":247},"4fa1432673700",[111],{"_key":378,"_type":45,"marks":379,"text":380},"ae067139eab9",[],"Chateau d'Asnier-sur-Seine",[],{"_key":383,"_type":41,"children":384,"markDefs":389,"style":48},"029544920db8",[385],{"_key":386,"_type":45,"marks":387,"text":388},"0d13935e9b930",[],"La scénographie du tournoi d'échecs au Château d'Asnières a été conçue comme une expérience immersive, fusionnant l'histoire riche du lieu avec la passion pour ce jeu intemporel. Un des éléments phares de cette mise en scène est la création d'un immense échiquier, installé dans le jardin du château.",[],{"en":391},[392,402],{"_key":393,"_type":41,"children":394,"markDefs":401,"style":48},"849d315164a7",[395,398],{"_key":396,"_type":45,"marks":397,"text":158},"27d3c23d2953",[111],{"_key":399,"_type":45,"marks":400,"text":380},"ffefcb34fd1e",[],[],{"_key":403,"_type":41,"children":404,"markDefs":409,"style":48},"0978774330b9",[405],{"_key":406,"_type":45,"marks":407,"text":408},"2dfed6357a5c",[],"The scenography of the chess tournament at the Château d'Asnières was designed as an immersive experience, merging the rich history of the location with a passion for this timeless game. One of the standout elements of this staging is the creation of a giant chessboard, set up in the castle's garden.",[],"400 Coups",{"en":410},"Tournoi national d'échecs",[414],{"asset":415,"caption":26,"crop":26,"hotspot":26,"imgAlt":26,"mediaType":65,"videoUrl":26},{"_id":416,"url":417},"image-3062b04a0a9e103d64f11ece544d4678b5a995de-6912x3456-png","https://cdn.sanity.io/images/72lhhwk9/production/3062b04a0a9e103d64f11ece544d4678b5a995de-6912x3456.png","400-coups",{"projectInfo":420,"projectPhotoGallery":502,"slugProject":522},{"artists":421,"artistsTranslations":434,"description":446,"descriptionTranslations":471,"lieu":26,"lieuTranslations":26,"projectName":497,"projectNameTranslations":498,"subtitle":499,"subtitleTranslations":500},[422],{"_key":423,"_type":41,"children":424,"markDefs":433,"style":48},"a57574661794",[425,429],{"_key":426,"_type":45,"marks":427,"text":428},"b71fd723752d",[111],"Artist.e.s: ",{"_key":430,"_type":45,"marks":431,"text":432},"f532732ee50e",[],"Marta Pasquetti, Nicolas Atlé.",[],{"en":435},[436],{"_key":437,"_type":41,"children":438,"markDefs":445,"style":48},"74fcf17025ac",[439,442],{"_key":440,"_type":45,"marks":441,"text":428},"b71189fe3ba9",[111],{"_key":443,"_type":45,"marks":444,"text":432},"19b6d2d62457",[],[],[447,455,463],{"_key":448,"_type":41,"children":449,"markDefs":454,"style":48},"07adab5d7861",[450],{"_key":451,"_type":45,"marks":452,"text":453},"0e8938875fad0",[],"Dans la multitude de ces mises en scène, la nature nous montre sa richesse ; le visiteur la traverse, admiratif, puis soudain, une vision inattendue : une parcelle vierge.",[],{"_key":456,"_type":41,"children":457,"markDefs":462,"style":48},"e905ad4a8da4",[458],{"_key":459,"_type":45,"marks":460,"text":461},"ebd4d89052f20",[],"La curiosité l'entraîne vers ses surfaces blanches et ses lignes noires ondulées. Plus près, l’étonnement se dissout ; il comprend par instinct : ses pieds deviennent son outil, la peinture, sa matière, les couleurs, son inspiration. Il vit alors le paradoxe de se retrouver dans un coloriage géant.\nC’est à lui maintenant de former son propre paysage sur l’énorme feuille étendue au sol. Tous les sens sont ici conviés. L’expérience ludique est totale.\nEnivré par l’odeur de la menthe plantée en couvre-sol, le visiteur s’amuse à colorier son parcours en marchant à l’intérieur des zones blanches ou à travers les lignes de niveaux, à la recherche de son jardin idéal. Sans échelle, surdimensionné, ce jardin, cet espace, devient un terrain d’imaginaire.",[],{"_key":464,"_type":41,"children":465,"markDefs":470,"style":48},"f42db23567bc",[466],{"_key":467,"_type":45,"marks":468,"text":469},"3be7c0f8ab890",[],"Nous voulons composer un paysage de traces, de parcours, de signes, de songes et de choix : une histoire collective faite d’itinéraires personnels.",[],{"en":472},[473,481,489],{"_key":474,"_type":41,"children":475,"markDefs":480,"style":48},"128cbc123009",[476],{"_key":477,"_type":45,"marks":478,"text":479},"5452a37aec6b0",[],"In the multitude of these scenes, nature reveals its richness; the visitor traverses it, admiringly, and then suddenly, an unexpected vision: a blank patch.",[],{"_key":482,"_type":41,"children":483,"markDefs":488,"style":48},"3ec9eddc5f4e",[484],{"_key":485,"_type":45,"marks":486,"text":487},"8ce9932088720",[],"Curiosity draws him toward its white surfaces and undulating black lines. Closer, astonishment dissolves; he instinctively understands: his feet become his tool, the paint, his medium, and the colors, his inspiration. He then experiences the paradox of finding himself in a giant coloring book.\nIt is now up to him to create his own landscape on the enormous sheet laid out on the ground. All the senses are invited here. The playful experience is total.\nIntoxicated by the scent of mint planted as ground cover, the visitor delights in coloring his path by walking inside the white zones or along the contour lines, in search of his ideal garden. Without scale, oversized, this garden, this space, becomes a realm of imagination.",[],{"_key":490,"_type":41,"children":491,"markDefs":496,"style":48},"f76be0f26b5d",[492],{"_key":493,"_type":45,"marks":494,"text":495},"0be78089380b0",[],"We aim to compose a landscape of traces, paths, signs, dreams, and choices: a collective story made up of personal journeys.",[],"ColorYage",{"en":497},"Concours Festival Jardins Mètis (QC)",{"en":501},"Application Festival Jardins Mètis (QC)",[503,512],{"asset":504,"caption":26,"crop":507,"hotspot":509,"imgAlt":26,"mediaType":65,"videoUrl":26},{"_id":505,"url":506},"image-d51d74df9d9a4bb7f2c00362d01cf6cf710ec5bb-1493x582-jpg","https://cdn.sanity.io/images/72lhhwk9/production/d51d74df9d9a4bb7f2c00362d01cf6cf710ec5bb-1493x582.jpg",{"_type":188,"bottom":189,"left":189,"right":189,"top":508},0.1910688188893191,{"_type":193,"height":510,"width":5,"x":196,"y":511},0.808931181110681,0.5955344094446595,{"asset":513,"caption":26,"crop":516,"hotspot":519,"imgAlt":26,"mediaType":65,"videoUrl":26},{"_id":514,"url":515},"image-6c7abcb9ee37c73e20ca6411df572f7295cb9b5f-3508x2480-jpg","https://cdn.sanity.io/images/72lhhwk9/production/6c7abcb9ee37c73e20ca6411df572f7295cb9b5f-3508x2480.jpg",{"_type":188,"bottom":517,"left":189,"right":189,"top":518},0.39086622817765626,0.048188200250938555,{"_type":193,"height":520,"width":5,"x":196,"y":521},0.5609455715714052,0.3286609860366412,"coloryage",{"projectInfo":524,"projectPhotoGallery":596,"slugProject":614},{"artists":525,"artistsTranslations":537,"description":550,"descriptionTranslations":566,"lieu":26,"lieuTranslations":26,"projectName":591,"projectNameTranslations":592,"subtitle":593,"subtitleTranslations":594},[526],{"_key":527,"_type":41,"children":528,"markDefs":536,"style":48},"de14ffbe5c09",[529,532],{"_key":530,"_type":45,"marks":531,"text":428},"990086b19ff6",[111],{"_key":533,"_type":45,"marks":534,"text":535},"7fc8dea24861",[],"Marta Pasquetti , Nicolas Atlès",[],{"en":538},[539],{"_key":540,"_type":41,"children":541,"markDefs":549,"style":48},"b2f990dd9d57",[542,546],{"_key":543,"_type":45,"marks":544,"text":545},"6096dd15df77",[111],"Artists: ",{"_key":547,"_type":45,"marks":548,"text":535},"974a2873a339",[],[],[551,558],{"_key":552,"_type":41,"children":553,"markDefs":557,"style":48},"da17d5f284b7",[554],{"_key":555,"_type":45,"marks":556,"text":332},"fc7e817a7c200",[111],[],{"_key":559,"_type":41,"children":560,"markDefs":565,"style":48},"0cb6b71b0048",[561],{"_key":562,"_type":45,"marks":563,"text":564},"0648cf140961",[],"En 2050, l'industrie a épuisé les ressources naturelles, et les espaces de végétation vivante ont été remplacés par des paysages artificiels produits en masse. Leurs concepteurs s'inspirent d'images qui persistent encore dans la mémoire collective, reconstituant des paysages typiques de campagne et de forêt à partir de produits végétaux prêts à être consommés. Le jardin META CLIMAX© proposé ici représente une expérimentation industrielle dans ce sens. Au centre, se trouve un parallélépipède constitué de lanières en PVC, protégeant la forêt témoin. Les arbres reconstitués de META CLIMAX©, qui ressemblent en tous points aux bouleaux historiques, sont faciles à assembler et présentent des frondaisons parfaites avec des feuilles qui s'agitent au vent. La deuxième partie consiste en une géoformation créée à partir de surplus de végétaux recyclés, en attente d'une future exploitation. Elle pourrait éventuellement être colonisée par des visiteurs et d'autres espèces pionnières, introduisant ainsi un élément de hasard dans le concept META CLIMAX©.",[],{"en":567},[568,575,583],{"_key":569,"_type":41,"children":570,"markDefs":574,"style":48},"dfb13729774f",[571],{"_key":572,"_type":45,"marks":573,"text":332},"f44d82608b12",[111],[],{"_key":576,"_type":41,"children":577,"markDefs":582,"style":48},"2deef77cb1db",[578],{"_key":579,"_type":45,"marks":580,"text":581},"b635d9749df9",[],"In 2050, the industry has exhausted natural resources, and living green spaces have been replaced by mass-produced artificial landscapes. Their designers draw upon images that still linger in the collective memory, reconstructing typical countryside and forest landscapes from readily consumable plant products.",[],{"_key":584,"_type":41,"children":585,"markDefs":590,"style":48},"b609811d831a",[586],{"_key":587,"_type":45,"marks":588,"text":589},"221c7690ffaa",[],"The META CLIMAX© garden proposed here represents an industrial experimentation in this regard. At its center lies a rectangular prism made of PVC strips, protecting the witness forest. The reconstructed META CLIMAX© trees, which closely resemble historical birch trees, are easy to assemble, boasting perfect canopies with leaves that rustle in the wind. The second part consists of a geoforum created from recycled plant surpluses, awaiting future development. It may eventually be colonized by visitors and other pioneering species, introducing an element of chance into the META CLIMAX© concept.",[],"Meta-Climax",{"en":591},"Concours Festival Jardins de mètis",{"en":595},"Application Festival Jardin de mètis",[597,601,610],{"asset":598,"caption":26,"crop":26,"hotspot":26,"imgAlt":26,"mediaType":65,"videoUrl":26},{"_id":599,"url":600},"image-38097267d8307cc5455682e77ba1ba425f7ee85b-2384x462-jpg","https://cdn.sanity.io/images/72lhhwk9/production/38097267d8307cc5455682e77ba1ba425f7ee85b-2384x462.jpg",{"asset":602,"caption":26,"crop":605,"hotspot":607,"imgAlt":26,"mediaType":65,"videoUrl":26},{"_id":603,"url":604},"image-0983e09ec7ec9ee28ddab550267064abdb63a9f6-4000x3000-jpg","https://cdn.sanity.io/images/72lhhwk9/production/0983e09ec7ec9ee28ddab550267064abdb63a9f6-4000x3000.jpg",{"_type":188,"bottom":189,"left":189,"right":189,"top":606},0.22030101102941171,{"_type":193,"height":608,"width":5,"x":196,"y":609},0.7796989889705883,0.6101505055147058,{"asset":611,"caption":26,"crop":26,"hotspot":26,"imgAlt":26,"mediaType":65,"videoUrl":26},{"_id":612,"url":613},"image-aac85528bd77312e00bef37788cac9b707e87c70-6912x3456-png","https://cdn.sanity.io/images/72lhhwk9/production/aac85528bd77312e00bef37788cac9b707e87c70-6912x3456.png","meta-climax",{"projectInfo":616,"projectPhotoGallery":680,"slugProject":699},{"artists":617,"artistsTranslations":629,"description":641,"descriptionTranslations":658,"lieu":26,"lieuTranslations":26,"projectName":676,"projectNameTranslations":677,"subtitle":678,"subtitleTranslations":679},[618],{"_key":619,"_type":41,"children":620,"markDefs":628,"style":48},"b6f44f6959e1",[621,624],{"_key":622,"_type":45,"marks":623,"text":428},"e2710b006021",[111],{"_key":625,"_type":45,"marks":626,"text":627},"48509f50f334",[],"Marta Pasquetti, Emanuele Trifiletti.",[],{"en":630},[631],{"_key":632,"_type":41,"children":633,"markDefs":640,"style":48},"02d0db80093a",[634,637],{"_key":635,"_type":45,"marks":636,"text":545},"911bab51d8bf",[111],{"_key":638,"_type":45,"marks":639,"text":627},"4d05421d8f12",[],[],[642,650],{"_key":643,"_type":41,"children":644,"markDefs":649,"style":48},"2ce1372f41dd",[645],{"_key":646,"_type":45,"marks":647,"text":648},"0ab7fea15f170",[111],"Installation / Land art / Architecture",[],{"_key":651,"_type":41,"children":652,"markDefs":657,"style":48},"9c4e37a2445b",[653],{"_key":654,"_type":45,"marks":655,"text":656},"8527753f7409",[],"Partant d'une étude sur le collectionnisme et le concept de rareté, nous avons engagé une réflexion sur la notion de rareté dans la société contemporaine. La surabondance d'informations et la reproduction en série ont dévalué la rareté et le principe même de l'originalité. Dans une société de surproduction, ce projet vise à mettre en valeur des objets ordinaires, en leur conférant un caractère précieux. Nous souhaitons créer un cabinet de curiosités, mettant l'accent sur des espèces traditionnelles, pour souligner l'importance de ces éléments dans notre patrimoine culturel et naturel.",[],{"en":659},[660,668],{"_key":661,"_type":41,"children":662,"markDefs":667,"style":48},"f4dfb57df81e",[663],{"_key":664,"_type":45,"marks":665,"text":666},"712fb70e4db00",[111],"Installation / Land Art / Architecture",[],{"_key":669,"_type":41,"children":670,"markDefs":675,"style":48},"8c43788a3a37",[671],{"_key":672,"_type":45,"marks":673,"text":674},"017fd65d433a0",[],"Starting from a study on collectionism and the concept of rarity, we engaged in a reflection on the notion of rarity in contemporary society. The overabundance of information and mass reproduction have diminished the value of rarity and the very principle of originality. In a society of overproduction, this project aims to highlight ordinary objects by giving them a precious quality. We seek to create a cabinet of curiosities, focusing on traditional species to emphasize the importance of these elements within our cultural and natural heritage.",[],"Broccolandia",{"en":676},"Festival Chaumont-sur-loire",{"en":678},[681,695],{"asset":682,"caption":26,"crop":685,"hotspot":690,"imgAlt":26,"mediaType":65,"videoUrl":26},{"_id":683,"url":684},"image-665deabe65156447f7248fb6b57f870ce57bef83-6912x3456-png","https://cdn.sanity.io/images/72lhhwk9/production/665deabe65156447f7248fb6b57f870ce57bef83-6912x3456.png",{"_type":188,"bottom":686,"left":687,"right":688,"top":689},0.10236515410958913,0.24830104880136958,0.33806453339041054,0.12490635702054802,{"_type":193,"height":691,"width":692,"x":693,"y":694},0.7727284888698629,0.41363441780821986,0.45511825770547953,0.5112706014554794,{"asset":696,"caption":26,"crop":26,"hotspot":26,"imgAlt":26,"mediaType":65,"videoUrl":26},{"_id":697,"url":698},"image-6fcd861d81336596e37c2f9c98928313aef9be53-6912x3456-png","https://cdn.sanity.io/images/72lhhwk9/production/6fcd861d81336596e37c2f9c98928313aef9be53-6912x3456.png","broccolandia",{"projectInfo":701,"projectPhotoGallery":814,"slugProject":828},{"artists":702,"artistsTranslations":715,"description":728,"descriptionTranslations":772,"lieu":26,"lieuTranslations":26,"projectName":809,"projectNameTranslations":810,"subtitle":811,"subtitleTranslations":812},[703],{"_key":704,"_type":41,"children":705,"markDefs":714,"style":48},"af403686b02f",[706,710],{"_key":707,"_type":45,"marks":708,"text":709},"1c860a797c44",[111],"Artist.e.s:",{"_key":711,"_type":45,"marks":712,"text":713},"599b2b18f5eb",[]," Marta Pasquetti, Nicolas Atlè.",[],{"en":716},[717],{"_key":718,"_type":41,"children":719,"markDefs":727,"style":48},"1bc426f394a3",[720,724],{"_key":721,"_type":45,"marks":722,"text":723},"b3a335cec564",[111],"Artists:",{"_key":725,"_type":45,"marks":726,"text":713},"46aaec394ce4",[],[],[729,740,748,756,764],{"_key":730,"_type":41,"children":731,"markDefs":739,"style":48},"dd2191310a0c",[732,735],{"_key":733,"_type":45,"marks":734,"text":247},"c2c17c8b2034",[111],{"_key":736,"_type":45,"marks":737,"text":738},"fa724003d9ae",[],"Saint-Denis (FR)",[],{"_key":741,"_type":41,"children":742,"markDefs":747,"style":48},"4fff1d98bca3",[743],{"_key":744,"_type":45,"marks":745,"text":746},"8d9077cad3e10",[],"Le projet proposé vise à la réappropriation des berges de l'île Saint-Denis par ses habitants. Le concept repose sur la création d’un espace à la frontière entre intérieur et extérieur, inspiré de formes symboliques tirées de l’imaginaire des constructions vernaculaires. Nous souhaitons mettre à disposition des modules qui s’adaptent à la morphologie du site, en utilisant des portes et des escaliers facilement reconnaissables, créant ainsi des espaces intermédiaires et intimes au sein des espaces publics. À la manière d'un land art urbain, ces installations offrent non seulement des formes esthétiques, mais également des espaces praticables. Les visiteurs sont littéralement \"chez eux\" lorsqu’ils s’installent sur ces grandes marches et profitent des « cadres » proposés. Ces encadrements, inspirés des cadres de porte, instaurent un rapport d'échelle poétique et décalé, enrichissant l'expérience entre les deux environnements que nous avons sélectionnés. Deux sites ciblés par la FACT 2015 sont susceptibles d’accueillir ce dispositif.",[],{"_key":749,"_type":41,"children":750,"markDefs":755,"style":48},"86a8582b9d2d",[751],{"_key":752,"_type":45,"marks":753,"text":754},"d49254a18eb00",[],"Le quai des Moulins, avec son ambiance intime et la coupure visuelle qu'impose le muret longeant les berges, accueillera un module permettant aux visiteurs de se placer à hauteur de vue pour mieux profiter du paysage de la Seine. Les marches conféreront un caractère urbain à l'espace, en offrant une assise large, propice aux échanges. Le cadre au-dessus du muret interagira avec les lignes qui structurent le paysage de ce lieu.",[],{"_key":757,"_type":41,"children":758,"markDefs":763,"style":48},"8fde262951b1",[759],{"_key":760,"_type":45,"marks":761,"text":762},"09d9d5e418e40",[],"Sous l’autoroute A86, une autre installation se déploiera, permettant un contraste radical d’échelle entre le module du projet et les lignes massives et dynamiques du pont. Deux portes placées aux extrémités de la pente de la berge, ainsi que des marches agencées en gradins, créeront un espace d'intimité étrange, intérieur et extérieur à la fois, qui transformera ce non-lieu en un paysage à contempler.",[],{"_key":765,"_type":41,"children":766,"markDefs":771,"style":48},"a3ef1cd37cd6",[767],{"_key":768,"_type":45,"marks":769,"text":770},"55a377a54e140",[],"Les modules seront réalisés en bois acheté localement et, si possible, avec des portes réutilisées, afin de renforcer l'approche durable du projet.",[],{"en":773},[774,785,793,801],{"_key":775,"_type":41,"children":776,"markDefs":784,"style":48},"b1138db37b71",[777,780],{"_key":778,"_type":45,"marks":779,"text":158},"ca9f76c1bc020",[111],{"_key":781,"_type":45,"marks":782,"text":783},"80cb03147ef0",[],"Saint- Denis (FR)",[],{"_key":786,"_type":41,"children":787,"markDefs":792,"style":48},"255c69743350",[788],{"_key":789,"_type":45,"marks":790,"text":791},"587f47d39403",[],"The proposed project aims to reclaim the banks of the Île Saint-Denis for the island's residents.",[],{"_key":794,"_type":41,"children":795,"markDefs":800,"style":48},"615f37299f57",[796],{"_key":797,"_type":45,"marks":798,"text":799},"e4f0cd7ca6000",[],"The concept is to create a space blending interior and exterior, drawing on symbolic forms inspired by the imagination of vernacular constructions.",[],{"_key":802,"_type":41,"children":803,"markDefs":808,"style":48},"b4ed17aa6075",[804],{"_key":805,"_type":45,"marks":806,"text":807},"94fe537f09240",[],"We aim to provide modules that adapt to the site’s morphology, using doors and staircases that are easily identifiable and capable of creating intimate, intermediary spaces within public areas. Like an urban land art piece, these installations not only bring aesthetic shapes but also offer functional, usable spaces. Visitors are literally \"at home\" as they sit on these large steps, enjoying the \"frames\" provided. These doorframe-inspired structures create a poetic, unexpected scale shift, enhancing the experience between the two environments we have selected.Two sites identified by the FACT 2015 are suitable to host this project. The Quai des Moulins, with its already intimate character and the visual break imposed by the wall along the riverbank, will host a module allowing visitors to sit at eye level, fully taking in the Seine view. The wide steps will add an urban feel, offering a broad seating area conducive to conversation. The frame above the wall will interact with the lines structuring the landscape of this location. Under the A86 motorway, another installation will take shape, allowing a radical contrast in scale between the project’s module and the massive, dynamic lines of the bridge. Two doors at each end of the riverbank slope and steps arranged like bleachers will define an intimate space—strangely both inside and outside—transforming the non-place of the motorway into a landscape to contemplate. The modules will be constructed from locally sourced wood and, where possible, reused doors, further reinforcing the project’s sustainable approach.",[],"Non lieu",{"en":809},"Concours Festival FACT",{"en":813},"Application Festival FACT",[815],{"asset":816,"caption":26,"crop":819,"hotspot":823,"imgAlt":26,"mediaType":65,"videoUrl":26},{"_id":817,"url":818},"image-a158c0de0ec439ed9b076a4567a026b0bd540c69-6912x3456-png","https://cdn.sanity.io/images/72lhhwk9/production/a158c0de0ec439ed9b076a4567a026b0bd540c69-6912x3456.png",{"_type":188,"bottom":820,"left":821,"right":822,"top":189},0.18855682791095874,0.21939881207191772,0.15940710616438358,{"_type":193,"height":824,"width":825,"x":826,"y":827},0.8114431720890413,0.6211940817636987,0.529995852953767,0.40572158604452063,"non-lieu",{"projectInfo":26,"projectPhotoGallery":26,"slugProject":26},1788706199550]