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Avec le soutien de CND, Centre De la Marionnette de la fédération Wallonie Bruxelles (BL), Anis gras- le lieu de l'autre, réseau actes if, Le silo, STC, La générale.",[],{"en":565},[566,578,586,598],{"_key":567,"_type":41,"children":568,"markDefs":577,"style":50},"3775d2b3aafd",[569,573],{"_key":570,"_type":45,"marks":571,"text":572},"f527427f9f180",[47],"Cast: ",{"_key":574,"_type":45,"marks":575,"text":576},"c378d138fa77",[],"Director and Set Design: Marta Pasquetti /Performers: Sonia Alcaraz and Giulia Aleandri / Choreography and Writing: La Furibunda/ Dramaturgical / Writing Assistance: Sarah Di Bella / Choreography Assistance: Yasmine Lepe / Video and Lighting Design: Nils Houtteman / Sound Design and Original Music: Guillaume Léglise / Costumes: Federico Firoldi",[],{"_key":579,"_type":41,"children":580,"markDefs":585,"style":50},"e6544a266c92",[581],{"_key":582,"_type":45,"marks":583,"text":584},"4c93280f298b0",[],"Images: Mireille Huget",[],{"_key":587,"_type":41,"children":588,"markDefs":597,"style":50},"b9fd4ec20bfd",[589,593],{"_key":590,"_type":45,"marks":591,"text":592},"99f9a5169670",[47],"Partnerships:  ",{"_key":594,"_type":45,"marks":595,"text":596},"3a7293f9cd48",[],"Institut Français de Paris, Théåtre de 2 rives, Goethe Institut, Culture Move Europe; Espacio Checoslovaquia( CL)",[],{"_key":599,"_type":41,"children":600,"markDefs":605,"style":50},"e8caed4bef66",[601],{"_key":602,"_type":45,"marks":603,"text":604},"c92cced513a8",[],"With the support of de CND, Centre De la Marionnette de la fédération Wallonie Bruxelles (BL), Anis gras- le lieu de l'autre, réseau actes if, Le silo, STC, La générale.",[],[607,615,627],{"_key":608,"_type":41,"children":609,"markDefs":614,"style":50},"574088fd-363c-4896-8a30-17dcfd78b5ca",[610],{"_key":611,"_type":45,"marks":612,"text":613},"b84b1870d039",[47],"Metteuse en scene / Scénographe",[],{"_key":616,"_type":41,"children":617,"markDefs":626,"style":50},"1d70b90de033",[618,622],{"_key":619,"_type":45,"marks":620,"text":621},"875f1ffe-05d8-4dd2-b284-0ed2019cc62e",[47],"Lieu:",{"_key":623,"_type":45,"marks":624,"text":625},"30cf82aff4cb",[]," T2R, Anis Gras..",[],{"_key":628,"_type":41,"children":629,"markDefs":646,"style":50},"198c8ba49999",[630,634,638,642],{"_key":631,"_type":45,"marks":632,"text":633},"327a3ff221a7",[334],"R. comme rêve, comme rave, comme révolution",{"_key":635,"_type":45,"marks":636,"text":637},"b349e8b54480",[],".\n[...]R. est une performance chorégraphique qui explore l'engagement du corps dans les mouvements de résistance politique, symbolisé sur scène par l'incarnation du rythme soutenu de la musique techno dans une rave party.\n​\n",{"_key":639,"_type":45,"marks":640,"text":641},"141b875df1c4",[334],"Espace scénographique",{"_key":643,"_type":45,"marks":644,"text":645},"29cfd1804d10",[],"\nDans notre parcours artistique au sein de La Furibunda, l'exploration de l'espace et de la scénographie se révèle être un pilier fondamental de notre démarche. Notre quête s'articule autour de l'air, cette force omniprésente de métamorphose et de vitalité. À travers notre dernière création, R., nous plongeons plus profondément dans l'étude des structures gonflables, conférant à l'air une forme imposante, celle d'un iceberg qui traverse la scène. À l'intérieur de cette structure, des centaines de ballons s'entrelacent, captifs, chacun représentant une autre forme de gonflable, tantôt réservoir d'air, tantôt prémisse d'explosion, tantôt élément étouffant.\nNotre choix d'explorer les multiples facettes de l'utilisation des ballons met en lumière l'aspect imprévisible et capricieux de cette matière. La manipulation même de ces objets devient une forme de chorégraphie, ajoutant une dimension nouvelle à notre expression artistique.\nNous sommes attirées par la mutabilité et la contradiction de cet objet délicat et fragile, qui renferme à la fois le souvenir d'une respiration passée et la possibilité d'une explosion. Le ballon peut être un objet de joie et d'innocence, mais aussi un détonateur. Ainsi, la thématique de l'air se manifeste à travers la fusion entre cet élément scénographique et le travail corporel des performeuses, suscitant des sensations évoquant la privation d'oxygène et de respiration.",[],{"en":648},[649,657,668,680,692,700],{"_key":650,"_type":41,"children":651,"markDefs":656,"style":50},"e9354abdbdad",[652],{"_key":653,"_type":45,"marks":654,"text":655},"918eaff7ed8d",[47],"Director / Set Designer",[],{"_key":658,"_type":41,"children":659,"markDefs":667,"style":50},"533982af4939",[660,663],{"_key":661,"_type":45,"marks":662,"text":322},"828791444f140",[47],{"_key":664,"_type":45,"marks":665,"text":666},"2238260f26e0",[]," T2R,  Anis Gras",[],{"_key":669,"_type":41,"children":670,"markDefs":679,"style":50},"a045449c03ca",[671,675],{"_key":672,"_type":45,"marks":673,"text":674},"666e41214cc70",[334],"R. as in dream, as in rave, as in revolution.",{"_key":676,"_type":45,"marks":677,"text":678},"ebdc46bcf1f5",[],"\n[...]R. is a choreographic performance exploring the body's commitment to political resistance movements, symbolized on stage through the steady rhythm of techno music in a rave.",[],{"_key":681,"_type":41,"children":682,"markDefs":691,"style":50},"3cc39868316d",[683,687],{"_key":684,"_type":45,"marks":685,"text":686},"dfa36f847d240",[334],"Scenographic Space\n",{"_key":688,"_type":45,"marks":689,"text":690},"d9484b79b9a4",[],"In our artistic journey with La Furibunda, exploring space and scenography has become a fundamental pillar of our approach. Our work revolves around air, that omnipresent force of transformation and vitality. Through our latest creation, R., we delve deeper into the study of inflatable structures, giving air a formidable shape, that of an iceberg crossing the stage. Inside this structure, hundreds of interwoven balloons are captive, each representing a different form of inflatable—sometimes an air reservoir, sometimes a prelude to explosion, or an element of suffocation.",[],{"_key":693,"_type":41,"children":694,"markDefs":699,"style":50},"de11770c24c1",[695],{"_key":696,"_type":45,"marks":697,"text":698},"c7d96913e1f40",[],"Our choice to explore the many facets of using balloons highlights the unpredictable and capricious nature of this material. The very manipulation of these objects becomes a form of choreography, adding a new dimension to our artistic expression.",[],{"_key":701,"_type":41,"children":702,"markDefs":707,"style":50},"88b318a628f3",[703],{"_key":704,"_type":45,"marks":705,"text":706},"ff04e105060a0",[],"We are drawn to the mutability and contradiction of this delicate, fragile object, which holds both the memory of a past breath and the potential for explosion. The balloon can be a symbol of joy and innocence, yet also a detonator. Thus, the theme of air materializes through the fusion of this scenographic element with the performers' physical work, evoking sensations of oxygen deprivation and breathlessness.",[],"[...]R",{"en":708},"La Furibunda",{"en":710},[713,717,721,725,729],{"asset":714,"caption":5,"crop":5,"hotspot":5,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":715,"url":716},"image-7bf225a1e7ad0c36b0d312a1a24230e151a55578-6912x3456-png","https://cdn.sanity.io/images/72lhhwk9/production/7bf225a1e7ad0c36b0d312a1a24230e151a55578-6912x3456.png",{"asset":718,"caption":5,"crop":5,"hotspot":5,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":719,"url":720},"image-71c53c1c38281c8a8ac31d44b249fecbeeccf1d1-5757x3538-jpg","https://cdn.sanity.io/images/72lhhwk9/production/71c53c1c38281c8a8ac31d44b249fecbeeccf1d1-5757x3538.jpg",{"asset":722,"caption":5,"crop":5,"hotspot":5,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":723,"url":724},"image-0e12be4770c8e463f2b128d8eb6b0f693a5bdea7-5554x3387-jpg","https://cdn.sanity.io/images/72lhhwk9/production/0e12be4770c8e463f2b128d8eb6b0f693a5bdea7-5554x3387.jpg",{"asset":726,"caption":5,"crop":5,"hotspot":5,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":727,"url":728},"image-78b95c763155cc57ed385d43181dede4c91b20fa-5588x3892-jpg","https://cdn.sanity.io/images/72lhhwk9/production/78b95c763155cc57ed385d43181dede4c91b20fa-5588x3892.jpg",{"asset":5,"caption":5,"crop":5,"hotspot":5,"imgAlt":5,"mediaType":730,"videoUrl":731},"video","https://youtu.be/WDM35eqWC58","r",{"projectInfo":734,"projectPhotoGallery":884,"slugProject":901},{"artists":735,"artistsTranslations":759,"description":784,"descriptionTranslations":819,"lieu":5,"lieuTranslations":5,"projectName":880,"projectNameTranslations":881,"subtitle":882,"subtitleTranslations":883},[736,747],{"_key":737,"_type":41,"children":738,"markDefs":746,"style":50},"122c20cf8f68",[739,742],{"_key":740,"_type":45,"marks":741,"text":48},"be930d10d9aa0",[47],{"_key":743,"_type":45,"marks":744,"text":745},"eb29f7ff4e58",[]," Chorégraphie : Nancy Naous / Avec : Nancy Naous, Dalia Naous, Dounia Massoud / Musique : Hadi Zeidan /Lumière : Marine Flores/ Scénographie et accessoires, Régie : Marta Pasquetti / Costumes : Marta Pasquetti",[],{"_key":748,"_type":41,"children":749,"markDefs":758,"style":50},"46c25b2b5f71",[750,754],{"_key":751,"_type":45,"marks":752,"text":753},"f1e17d1b4f48",[47],"Partenaires: ",{"_key":755,"_type":45,"marks":756,"text":757},"2932a679663d",[],"Maison folie Wazeem\nAvec le soutien de : l’Atelier des Artistes en Exil, l’Atelier de Paris CDCN, la Briqueterie CDCN, CND, STC, Le Relais de Pantin.",[],{"en":760},[761,772],{"_key":762,"_type":41,"children":763,"markDefs":771,"style":50},"7c35e893803b",[764,767],{"_key":765,"_type":45,"marks":766,"text":382},"c9da4e8871160",[47],{"_key":768,"_type":45,"marks":769,"text":770},"8931e2b75882",[],"Choreography: Nancy Naous /Performers: Nancy Naous, Dalia Naous, Dounia Massoud /Music: Hadi Zeidan /Lighting: Marine Flores / Set Design and Props et Stage Management: Marta Pasquetti /Costumes: Federico Feiroldi",[],{"_key":773,"_type":41,"children":774,"markDefs":783,"style":50},"6fb549c45ca4",[775,779],{"_key":776,"_type":45,"marks":777,"text":778},"89e677436352",[47],"Partnerships: ",{"_key":780,"_type":45,"marks":781,"text":782},"8e86229adf98",[],"Maison folie Wazeem\nWith the support of : l’Atelier des Artistes en Exil, l’Atelier de Paris CDCN, la Briqueterie CDCN, CND, STC, Le Relais de Pantin.",[],[785,793,804],{"_key":786,"_type":41,"children":787,"markDefs":792,"style":50},"d1f0cd00-bf2f-4081-856b-76900d026b88",[788],{"_key":789,"_type":45,"marks":790,"text":791},"321a3e80ff9a",[47],"Scénographe / Constructrice / Collaboratrice artistique / Régisseuse générale.",[],{"_key":794,"_type":41,"children":795,"markDefs":803,"style":50},"a5ad69a93f42",[796,799],{"_key":797,"_type":45,"marks":798,"text":274},"2c94a8ff-04f5-4af1-b11f-b2deb85e47e7",[47],{"_key":800,"_type":45,"marks":801,"text":802},"8b8facd93f2a",[],"Maison folie Wazeem, La Chaufferie",[],{"_key":805,"_type":41,"children":806,"markDefs":818,"style":50},"75250e5b27f5",[807,811,814],{"_key":808,"_type":45,"marks":809,"text":810},"f8d53e243031",[],"Le spectacle Coquelicots ou shall we dance ?  interroge l’endurance physique du corps féminin, sa résistance, sa persistance, ainsi que le plaisir ou l’inquiétude de se mouvoir sans relâche. Trois femmes – deux danseuses et une comédienne-chanteuse – occupent le plateau, ensemble ou séparément, habitant l’espace et le temps par un mouvement vibrant et incessant.\nL'œuvre puise son origine dans les entretiens menés par Nancy Naous entre 2018 et 2020 avec des mères et des épouses de disparus de la guerre civile libanaise (1975-1990). Nancy pose la question : « Comment fais-tu pour faire passer le temps ? Supporter cette absence ? » Une mère dont le fils est porté disparu répond : « Que veux-tu que je fasse ? Je bouge ! » Elle bouge, elle danse. Elles bougent. Elles dansent.\n\n",{"_key":812,"_type":45,"marks":813,"text":641},"6db13ec7d78d",[334],{"_key":815,"_type":45,"marks":816,"text":817},"a4d152cfe2d5",[],"\nLe temps qui passe, les corps qui se transforment dans l’attente, des gestes qui se répètent. À l’instar de Pénélopes modernes, ces femmes attendent et deviennent toujours plus fortes. Elles retracent les mêmes gestes, tissant une toile imaginaire. Cette toile est composée de souvenirs, d’objets, du temps écoulé et de métamorphoses.\nMon point de départ pour cette création artistique a été le fil, matière première du tissage et symbole de lien. J’ai décidé d’explorer l’idée du fil et du tissage à travers une matière recyclée et contemporaine : le caoutchouc des chambres à air. J’ai modifié la structure de plus de trois cents chambres à air pour créer de longs fils de différentes épaisseurs, expérimentant le tissage, le tressage, la découpe et la couture. J’ai ainsi élaboré des éléments de costumes scénographiés, jouant sur l’accumulation de la matière, la longueur et le tissage.L’espace de jeu est délimité par un carré blanc. Cette délimitation, évoquant un ring de boxe, intensifie la sensation de répétition et de puissance, apportant une dimension dramaturgique liée à la vitalité et à la résistance quotidienne, plutôt qu’à la victimisation des femmes. Ce lieu hors du temps est parfois envahi par une masse de matière noire, évoquant de longues chevelures qui symbolisent à la fois l’attente et le passage du temps. Elles deviennent des armures, des espaces de souvenir et de lien au passé, tout en représentant le présent.\n",[],{"en":820},[821,829,841,857,865,873],{"_key":822,"_type":41,"children":823,"markDefs":828,"style":50},"6971990668f4",[824],{"_key":825,"_type":45,"marks":826,"text":827},"5dcc9957f6aa",[47],"Set Designer / General Stage Manager /Artistic Collaborator",[],{"_key":830,"_type":41,"children":831,"markDefs":840,"style":50},"d8499b7985a5",[832,836],{"_key":833,"_type":45,"marks":834,"text":835},"52230b2378410",[47],"Location: ",{"_key":837,"_type":45,"marks":838,"text":839},"bba1012ffe0b",[],"Maison Folie Wazemmes, La Chaufferie",[],{"_key":842,"_type":41,"children":843,"markDefs":856,"style":50},"b7d5a8486692",[844,848,852],{"_key":845,"_type":45,"marks":846,"text":847},"efd18ab01a930",[],"The performance ",{"_key":849,"_type":45,"marks":850,"text":851},"0b6fa62cd0e2",[334],"Coquelicots, or Shall We Dance?",{"_key":853,"_type":45,"marks":854,"text":855},"b38990f48cf3",[]," explores the physical endurance of the female body—its resilience, persistence, and the pleasure or unease of moving tirelessly. Three women—two dancers and an actress-singer—take the stage, together or separately, occupying space and time with vibrant, unceasing motion.The work draws its origins from interviews conducted by Nancy Naous between 2018 and 2020 with mothers and wives of those who disappeared during the Lebanese Civil War (1975-1990). Nancy asked, “How do you pass the time? How do you bear this absence?” One mother of a missing son answered, “What do you want me to do? I move!” She moves, she dances. They move. They dance.",[],{"_key":858,"_type":41,"children":859,"markDefs":864,"style":50},"bfec042420bd",[860],{"_key":861,"_type":45,"marks":862,"text":863},"a22ecb8cb8830",[334],"Scenographic Space",[],{"_key":866,"_type":41,"children":867,"markDefs":872,"style":50},"0f53b553b18e",[868],{"_key":869,"_type":45,"marks":870,"text":871},"3212a571518c",[],"Time passes, bodies transform in waiting, gestures repeat. Like modern Penelopes, these women wait and grow ever stronger. They trace the same gestures, weaving an imaginary web. This web is made of memories, objects, the time that has passed, and transformations. My starting point for this artistic creation was thread, the primary material of weaving and a symbol of connection. I chose to explore the concept of thread and weaving using a recycled, contemporary material: rubber from inner tubes. I transformed over three hundred inner tubes into long strands of varying thicknesses, experimenting with weaving, braiding, cutting, and stitching. In this way, I created costume elements that are scenographic, playing with the accumulation of material, length, and weaving. The performance space is defined by a white square, 6 meters by 6 meters. This boundary, reminiscent of a boxing ring, heightens the sensation of repetition and power, adding a dramaturgical dimension focused on vitality and daily resilience, rather than victimizing women. This timeless space is sometimes filled by a mass of black material, evoking long strands of hair that symbolize both waiting and the passage of time. 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Différents, au point d’en être malheureux ? \nInspiré de la célèbre fable d’Andersen, Vilains #2 est un conte dansé électro-pop, une histoire de différence, de peine, de courage et de joie. C’est le récit de celles et ceux dont on se moque, à qui l'on tire les cheveux, quand ils en ont. Une histoire qui célèbre la singularité de chacun.\n\nL'espace scénique évoque un étang, un miroir brisé qui reflète en mille éclats nos images et celles que les autres ont de nous. Dans cet espace aquatique délimité par un carré de lumière, les reflets des interprètes se multiplient au sol, créant des fragments qui enrichissent l'espace du plateau et celui de la danse.",[],{"en":978},[979,986,996,1004],{"_key":980,"_type":41,"children":981,"markDefs":985,"style":50},"9f1def588530",[982],{"_key":983,"_type":45,"marks":984,"text":314},"a91e10b28c410",[47],[],{"_key":987,"_type":41,"children":988,"markDefs":995,"style":50},"088ca9170c5a",[989,992],{"_key":990,"_type":45,"marks":991,"text":835},"6eedaadb16e4",[47],{"_key":993,"_type":45,"marks":994,"text":967},"42d4d237d4db",[],[],{"_key":997,"_type":41,"children":998,"markDefs":1003,"style":50},"ed75f37ebdf5",[999],{"_key":1000,"_type":45,"marks":1001,"text":1002},"9f9c13d74f440",[],"Children, both small and large, have you never felt out of place? Different, to the point of being unhappy? Inspired by Andersen's famous fable, Vilains #2 is an electro-pop danced tale, a story of difference, pain, courage, and joy. It is the tale of those who are mocked, whose hair is pulled, when they have it. A story that celebrates the uniqueness of each individual.",[],{"_key":1005,"_type":41,"children":1006,"markDefs":1011,"style":50},"09879fb9f5ed",[1007],{"_key":1008,"_type":45,"marks":1009,"text":1010},"11ee15f7824c0",[],"The stage space evokes a pond, a broken mirror that reflects our images and those that others have of us in a thousand shards. In this aquatic space defined by a square of light, the reflections of the performers multiply on the ground, creating fragments that enrich the stage space and the dance.",[],"Vilains #2",{"en":1012},"Cie Halte Garderie",{"en":1014},[1017,1021,1025,1029,1033],{"asset":1018,"caption":5,"crop":5,"hotspot":5,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":1019,"url":1020},"image-352c0ede0bab5d5ebfdff794aaf7b2581c2ae2ec-4890x3260-jpg","https://cdn.sanity.io/images/72lhhwk9/production/352c0ede0bab5d5ebfdff794aaf7b2581c2ae2ec-4890x3260.jpg",{"asset":1022,"caption":5,"crop":5,"hotspot":5,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":1023,"url":1024},"image-c5e22506c65f19b6016c0d7f7177c66a9957a7f8-4524x3016-jpg","https://cdn.sanity.io/images/72lhhwk9/production/c5e22506c65f19b6016c0d7f7177c66a9957a7f8-4524x3016.jpg",{"asset":1026,"caption":5,"crop":5,"hotspot":5,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":1027,"url":1028},"image-e9a9f02dd66618f1c38d01f4f6913a0d7f515654-5855x3903-jpg","https://cdn.sanity.io/images/72lhhwk9/production/e9a9f02dd66618f1c38d01f4f6913a0d7f515654-5855x3903.jpg",{"asset":1030,"caption":5,"crop":5,"hotspot":5,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":1031,"url":1032},"image-787dd3cd87027dfff7927c74613d9d57d69d8134-5797x3864-jpg","https://cdn.sanity.io/images/72lhhwk9/production/787dd3cd87027dfff7927c74613d9d57d69d8134-5797x3864.jpg",{"asset":1034,"caption":5,"crop":5,"hotspot":5,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":1035,"url":1036},"image-05929054e471850ce86a9803bb0d6ffab06e5dd8-5867x3911-jpg","https://cdn.sanity.io/images/72lhhwk9/production/05929054e471850ce86a9803bb0d6ffab06e5dd8-5867x3911.jpg","vilains",{"projectInfo":1039,"projectPhotoGallery":1134,"slugProject":1139},{"artists":1040,"artistsTranslations":1052,"description":1065,"descriptionTranslations":1100,"lieu":5,"lieuTranslations":5,"projectName":1129,"projectNameTranslations":1130,"subtitle":1132,"subtitleTranslations":1133},[1041],{"_key":1042,"_type":41,"children":1043,"markDefs":1051,"style":50},"468cf43c3ca4",[1044,1047],{"_key":1045,"_type":45,"marks":1046,"text":48},"3862bebebd9e",[47],{"_key":1048,"_type":45,"marks":1049,"text":1050},"db179c2d5783",[]," mise en scene et interpretation: Guillaume Le Pape / Scénographie:  Marta Pasquetti / Creation lumière et Pilote: Teddy Voyes.",[],{"en":1053},[1054],{"_key":1055,"_type":41,"children":1056,"markDefs":1064,"style":50},"7c5798da292f",[1057,1060],{"_key":1058,"_type":45,"marks":1059,"text":48},"dfb0a76473350",[47],{"_key":1061,"_type":45,"marks":1062,"text":1063},"c5cc9393b298",[]," Direction and performance: Guillaume Le Pape / Scenography: Marta Pasquetti / Light design and operation: Teddy Voyes.",[],[1066,1074,1085],{"_key":1067,"_type":41,"children":1068,"markDefs":1073,"style":50},"3c6da4271535",[1069],{"_key":1070,"_type":45,"marks":1071,"text":1072},"1a9e68afbb8a",[47],"Scénographe ",[],{"_key":1075,"_type":41,"children":1076,"markDefs":1084,"style":50},"0207345d958d",[1077,1080],{"_key":1078,"_type":45,"marks":1079,"text":274},"1a6a399e643b",[47],{"_key":1081,"_type":45,"marks":1082,"text":1083},"194dddcd25df",[],"ECAM",[],{"_key":1086,"_type":41,"children":1087,"markDefs":1099,"style":50},"7dc27fcc77c2",[1088,1091,1095],{"_key":1089,"_type":45,"marks":1090,"text":304},"b26f9d9876a0",[],{"_key":1092,"_type":45,"marks":1093,"text":1094},"efab253df96f",[334],"L'échelle de Glasgow",{"_key":1096,"_type":45,"marks":1097,"text":1098},"d36c1e6080f2",[],", c’est un indicateur de l'état de conscience qui détermine les stades successifs du coma. Dans un contexte d'urgence, elle aide le médecin à choisir une stratégie visant à maintenir les fonctions vitales. Disons que Guillaume jouera: Le patient ; le public : Le médecin ; le monde dans lequel on vit : Le contexte d’urgence. ",[],{"en":1101},[1102,1110,1121],{"_key":1103,"_type":41,"children":1104,"markDefs":1109,"style":50},"e2e762bb4cd3",[1105],{"_key":1106,"_type":45,"marks":1107,"text":1108},"da7cb633c1500",[47],"Scenographer",[],{"_key":1111,"_type":41,"children":1112,"markDefs":1120,"style":50},"99a63cb0ef90",[1113,1116],{"_key":1114,"_type":45,"marks":1115,"text":322},"295ad9c16b8b0",[47],{"_key":1117,"_type":45,"marks":1118,"text":1119},"e6b1bed399e5",[]," ECAM",[],{"_key":1122,"_type":41,"children":1123,"markDefs":1128,"style":50},"1ac13aba9863",[1124],{"_key":1125,"_type":45,"marks":1126,"text":1127},"f328b801da1d0",[],"The Glasgow Coma Scale is an indicator of consciousness that determines the successive stages of coma. In an emergency context, it helps the doctor choose a strategy to maintain vital functions. Let’s say Guillaume will play: the patient; the audience: the doctor; the world we live in: the emergency context.",[],"L'échelle de Glasgow |Work in progress|",{"en":1131},"L'échelle de Glasgow  |Work in progress|","Cie sweet desaster",{"en":1132},[1135],{"asset":1136,"caption":5,"crop":5,"hotspot":5,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":1137,"url":1138},"image-6f2672585a494f34ff70cf842b8558dea37e41d8-6912x3456-png","https://cdn.sanity.io/images/72lhhwk9/production/6f2672585a494f34ff70cf842b8558dea37e41d8-6912x3456.png","echelledeglasgow",{"projectInfo":1141,"projectPhotoGallery":1312,"slugProject":1344},{"artists":1142,"artistsTranslations":1167,"description":1191,"descriptionTranslations":1241,"lieu":5,"lieuTranslations":5,"projectName":1308,"projectNameTranslations":1309,"subtitle":1310,"subtitleTranslations":1311},[1143,1155],{"_key":1144,"_type":41,"children":1145,"markDefs":1154,"style":50},"aac69b3a346a",[1146,1150],{"_key":1147,"_type":45,"marks":1148,"text":1149},"a330a93bb77e0",[47],"​Distribution: ",{"_key":1151,"_type":45,"marks":1152,"text":1153},"2ce9e0ef9098",[],"Chorégraphie, écriture: Marjory Duprés / Avec: Nelly Pulciani, Dalia Naous, Mahmoud El Haddad, Yasmine Lepe/ Réalisation documentaire: Tiffany Duprés / Regard dramaturgique: Sarah Di Bella / Musique: Guillaume Léglise / Lumière, régie: Manuel Desfeux / Scénographie et construction: Marta Pasquetti / Costumes: Marion Xardel/ Vidéo: Nicolas Comte",[],{"_key":1156,"_type":41,"children":1157,"markDefs":1166,"style":50},"825a46955293",[1158,1162],{"_key":1159,"_type":45,"marks":1160,"text":1161},"0bdb7d9345b8",[47],"Partenaires",{"_key":1163,"_type":45,"marks":1164,"text":1165},"0585def9a2d7",[],": M.A.L de Laon, CCN de Roubaix - l’Atelier des Artistes en Exil, l’Atelier de Paris CDCN, le TAG Théâtre, Théâtre Ouvert - Centre national des dramaturgies contemporaines, La Manekine - Scène Intermédiaire des Hauts de France, la DRAC Hauts-de-France et la Région Hauts-de-France, le Théâtre Massenet, le festival Syrien n’est fait, le 104, la Briqueterie CDCN.",[],{"en":1168},[1169,1180],{"_key":1170,"_type":41,"children":1171,"markDefs":1179,"style":50},"020c210d36d0",[1172,1175],{"_key":1173,"_type":45,"marks":1174,"text":48},"d76fae6eb2e9",[47],{"_key":1176,"_type":45,"marks":1177,"text":1178},"f817b27b8ed7",[]," Choreography, writing: Marjory Duprés / Featuring: Nelly Pulciani, Dalia Naous, Mahmoud El Haddad / Documentary direction: Tiffany Duprés / Dramaturgical perspective: Sarah Di Bella / Music: Guillaume Léglise / Lighting, technical direction: Manuel Desfeux / Scenography and construction: Marta Pasquetti / Costumes: Marion Xardel / Video: Nicolas Comte.",[],{"_key":1181,"_type":41,"children":1182,"markDefs":1190,"style":50},"f5d730380e70",[1183,1187],{"_key":1184,"_type":45,"marks":1185,"text":1186},"eef8cc035119",[47],"Parterships",{"_key":1188,"_type":45,"marks":1189,"text":1165},"dbe80056a8f6",[],[],[1192,1200,1211,1218],{"_key":1193,"_type":41,"children":1194,"markDefs":1199,"style":50},"db4c9514-21b5-407f-94f8-4eff134f9428",[1195],{"_key":1196,"_type":45,"marks":1197,"text":1198},"96fdc98fe445",[47],"Scénographe / Constructrice",[],{"_key":1201,"_type":41,"children":1202,"markDefs":1210,"style":50},"425e96c99f9e",[1203,1206],{"_key":1204,"_type":45,"marks":1205,"text":621},"852cfa5c-1d8f-41af-85ea-191c7596aaff",[47],{"_key":1207,"_type":45,"marks":1208,"text":1209},"2def0cb20ec9",[]," Festival d'Avignon off, MAL de Laon.",[],{"_key":1212,"_type":41,"children":1213,"markDefs":1217,"style":50},"53bf0da4ed4a",[1214],{"_key":1215,"_type":45,"marks":1216,"text":237},"169e50d8e0f3",[],[],{"_key":1219,"_type":41,"children":1220,"markDefs":1240,"style":50},"e9ac32618936",[1221,1225,1229,1233,1236],{"_key":1222,"_type":45,"marks":1223,"text":1224},"d8f04eeaa913",[],"Ghazal me dit :\n\n« ",{"_key":1226,"_type":45,"marks":1227,"text":1228},"fa0a8414204e",[334],"Je ne veux pas parler d’exil.  \nPersonne ne peut comprendre l’exil, sauf si tu l’as connu.  \nTu ne peux pas savoir ce que ça fait de porter tes souvenirs et ton passé avec toi, tout le temps.\nTu repars de zéro, comme si tu venais de naître.",{"_key":1230,"_type":45,"marks":1231,"text":1232},"4e942b2ef1aa",[]," »\n\n",{"_key":1234,"_type":45,"marks":1235,"text":641},"09d590326510",[334],{"_key":1237,"_type":45,"marks":1238,"text":1239},"bf6bb8edd59f",[],"\nLe parti pris a été de créer une dramaturgie de l’espace liée principalement aux concepts d’intérieur et d’extérieur. L’espace intérieur devient un lieu collectif d’intimité, où plusieurs individualités se rejoignent pour tisser un seul récit. L’espace extérieur peut représenter un extérieur tangible – la guerre, la rue, les places de la révolution – mais aussi l’au-delà, l’espace de la mémoire, de l’imaginaire, du possible. Un fragment de mur, un coin de maison, évoque ce qui fut autrefois un foyer habité. Ce fragment symbolise à la fois ce qui reste et un point de départ pour la reconstruction. Il devient une frontière mobile entre le dedans et le dehors. À travers un mouvement tel le battement d’aile d’un papillon, le mur ouvre l’espace au regard, invitant le spectateur à pénétrer l’intimité des personnages ou à clôturer l’espace, créant ainsi une frontière infranchissable entre le spectateur et ce qui se déroule derrière le mur.",[],{"en":1242},[1243,1251,1262,1270,1286,1293,1300],{"_key":1244,"_type":41,"children":1245,"markDefs":1250,"style":50},"8c7dfefe1f05",[1246],{"_key":1247,"_type":45,"marks":1248,"text":1249},"e387e019dc550",[47],"Scenographer / Builder",[],{"_key":1252,"_type":41,"children":1253,"markDefs":1261,"style":50},"1d9bfe9b2870",[1254,1257],{"_key":1255,"_type":45,"marks":1256,"text":835},"b9accc7621e20",[47],{"_key":1258,"_type":45,"marks":1259,"text":1260},"d28418aedde1",[],"Festival d'Avignon Off; MAL de Laon.",[],{"_key":1263,"_type":41,"children":1264,"markDefs":1269,"style":50},"14cc534fd135",[1265],{"_key":1266,"_type":45,"marks":1267,"text":1268},"be93ed1ca4cf0",[],"Ghazal tells me:",[],{"_key":1271,"_type":41,"children":1272,"markDefs":1285,"style":50},"22842c28059b",[1273,1277,1281],{"_key":1274,"_type":45,"marks":1275,"text":1276},"f88954d35f170",[],"\"",{"_key":1278,"_type":45,"marks":1279,"text":1280},"b032bff0d3f5",[334],"I don’t want to talk about exile.\nNo one can understand exile unless you have experienced it.\nYou cannot know what it feels like to carry your memories and your past with you all the time.\nYou start over from scratch, as if you were just born",{"_key":1282,"_type":45,"marks":1283,"text":1284},"8d7c415af91d",[],".\"",[],{"_key":1287,"_type":41,"children":1288,"markDefs":1292,"style":50},"4188f175a8b6",[1289],{"_key":1290,"_type":45,"marks":1291,"text":237},"054cbcb345bf",[],[],{"_key":1294,"_type":41,"children":1295,"markDefs":1299,"style":50},"620518d21092",[1296],{"_key":1297,"_type":45,"marks":1298,"text":863},"e28993bea9bb0",[334],[],{"_key":1301,"_type":41,"children":1302,"markDefs":1307,"style":50},"b37059671dd4",[1303],{"_key":1304,"_type":45,"marks":1305,"text":1306},"a0ea8c86dc11",[],"The choice has been made to create a dramaturgy of space primarily linked to the concepts of inside and outside. The interior space becomes a collective place of intimacy, where multiple individualities converge to weave a single narrative. The exterior space can represent a tangible outside – war, the street, the squares of revolution – but also the beyond, the space of memory, the imaginary, and the possible. A fragment of wall, a corner of a house, evokes what was once a lived home. This fragment symbolizes both what remains and a starting point for reconstruction. It becomes a mobile boundary between the inside and the outside. Through a movement akin to the fluttering of a butterfly's wing, the wall opens the space to the gaze, inviting the spectator to enter the intimacy of the characters or to close off the space, thereby creating an impenetrable boundary between the spectator and what unfolds behind the wall.",[],"Ghazal",{"en":1308},"Cie Jours dansants",{"en":1310},[1313,1317,1330,1334,1338,1342],{"asset":1314,"caption":5,"crop":5,"hotspot":5,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":1315,"url":1316},"image-5860a0a01f65d4a3af868b8f034b1bba5849bfa0-6912x3456-png","https://cdn.sanity.io/images/72lhhwk9/production/5860a0a01f65d4a3af868b8f034b1bba5849bfa0-6912x3456.png",{"asset":1318,"caption":5,"crop":1321,"hotspot":1325,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":1319,"url":1320},"image-393e582fe0d559340a58c6b8fb0b7fdf13e3680c-6912x3456-png","https://cdn.sanity.io/images/72lhhwk9/production/393e582fe0d559340a58c6b8fb0b7fdf13e3680c-6912x3456.png",{"_type":512,"bottom":514,"left":1322,"right":1323,"top":1324},0.16358759631849298,0.014120023544520577,0.21117829623287673,{"_type":516,"height":1326,"width":1327,"x":1328,"y":1329},0.7888217037671232,0.8222923801369865,0.5747337863869862,0.6055891481164384,{"asset":1331,"caption":5,"crop":5,"hotspot":5,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":1332,"url":1333},"image-6a667a3f8a277541a4a6ab10f95500b4e5cf9b07-6912x3456-png","https://cdn.sanity.io/images/72lhhwk9/production/6a667a3f8a277541a4a6ab10f95500b4e5cf9b07-6912x3456.png",{"asset":1335,"caption":5,"crop":5,"hotspot":5,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":1336,"url":1337},"image-5d9428cbfa2f38debc4b8fc8b793fcab02068466-6912x3456-png","https://cdn.sanity.io/images/72lhhwk9/production/5d9428cbfa2f38debc4b8fc8b793fcab02068466-6912x3456.png",{"asset":1339,"caption":5,"crop":5,"hotspot":5,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":1340,"url":1341},"image-3cc4161707e96a0a26522584d08ee0b9fb7c25f6-6912x3456-png","https://cdn.sanity.io/images/72lhhwk9/production/3cc4161707e96a0a26522584d08ee0b9fb7c25f6-6912x3456.png",{"asset":5,"caption":5,"crop":5,"hotspot":5,"imgAlt":5,"mediaType":730,"videoUrl":1343},"https://www.youtube.com/watch?v=u2Y8PelS3zM","ghazal",{"projectInfo":1346,"projectPhotoGallery":1515,"slugProject":1573},{"artists":1347,"artistsTranslations":1382,"description":1415,"descriptionTranslations":1456,"lieu":5,"lieuTranslations":5,"projectName":1512,"projectNameTranslations":1513,"subtitle":710,"subtitleTranslations":1514},[1348,1359,1367,1375],{"_key":1349,"_type":41,"children":1350,"markDefs":1358,"style":50},"892790d04e5b",[1351,1354],{"_key":1352,"_type":45,"marks":1353,"text":48},"abbf096571720",[47],{"_key":1355,"_type":45,"marks":1356,"text":1357},"fea05d6fe13c",[]," Mise en scène: Giulia Aleandri / Avec: Sonia Alcaraz /Dramaturgie, scénographie, accessoires et costumes: Marta Pasquetti / Création sonore: Serena Di Biase /Création lumière: Leslie Horowitz et Manuel Desfeux",[],{"_key":1360,"_type":41,"children":1361,"markDefs":1366,"style":50},"aa5d1cf2b326",[1362],{"_key":1363,"_type":45,"marks":1364,"text":1365},"33dbb88de4900",[],"Images Enrico Piccirillo",[],{"_key":1368,"_type":41,"children":1369,"markDefs":1374,"style":50},"f1e67b722485",[1370],{"_key":1371,"_type":45,"marks":1372,"text":1373},"45676d296632",[],"Partenaires: Tida_ Teatro Instabile di Aosta, Fivizzano 27, Théâtre Victor Hugo de Bagneux, Maison de la Musique et de la Danse de Bagneux, CCCE Escorxador (ES), Super Théâtre Collectif, Villa Mais d'ici, Casale Garibaldi - Common at work (IT), Ass. Baraonda (IT).",[],{"_key":1376,"_type":41,"children":1377,"markDefs":1381,"style":50},"ce0dbdb28720",[1378],{"_key":1379,"_type":45,"marks":1380,"text":237},"14579564499c",[],[],{"en":1383},[1384,1395,1403],{"_key":1385,"_type":41,"children":1386,"markDefs":1394,"style":50},"3bb74be964a7",[1387,1390],{"_key":1388,"_type":45,"marks":1389,"text":382},"5a213976080c0",[47],{"_key":1391,"_type":45,"marks":1392,"text":1393},"a623a1fb5e72",[],"Director: Giulia Aleandri /Performers: Sonia Alcaraz /Dramaturgy, Set Design, Props, and Costumes: Marta Pasquetti / Sound Design: Serena Di Biase / Lighting Design: Leslie Horowitz and Manuel Desfeux",[],{"_key":1396,"_type":41,"children":1397,"markDefs":1402,"style":50},"f03d6362e7aa",[1398],{"_key":1399,"_type":45,"marks":1400,"text":1401},"2dd2b887643a0",[],"Images by Enrico Piccirillo",[],{"_key":1404,"_type":41,"children":1405,"markDefs":1414,"style":50},"24dab8dca732",[1406,1410],{"_key":1407,"_type":45,"marks":1408,"text":1409},"5b4e92a0ef72",[47],"Partners: ",{"_key":1411,"_type":45,"marks":1412,"text":1413},"b88467ad92c3",[],"Tida_ Teatro Instabile di Aosta, Fivizzano 27, Théâtre Victor Hugo de Bagneux, Maison de la Musique et de la Danse de Bagneux, CCCE Escorxador (ES), Super Théâtre Collectif, Villa Mais d'ici, Casale Garibaldi - Common at work (IT), Ass. Baraonda (IT).",[],[1416,1424,1436],{"_key":1417,"_type":41,"children":1418,"markDefs":1423,"style":50},"1b7d39a6-a31e-4e87-a2dd-20626c3d3e75",[1419],{"_key":1420,"_type":45,"marks":1421,"text":1422},"c9c2440fe219",[47],"Scénographe / Dramaturge / Constructrice",[],{"_key":1425,"_type":41,"children":1426,"markDefs":1435,"style":50},"88c875c81623",[1427,1431],{"_key":1428,"_type":45,"marks":1429,"text":1430},"d9757a06-550b-4e3d-bc5d-8722ed4f6511",[47],"Lieu : ",{"_key":1432,"_type":45,"marks":1433,"text":1434},"357d775870c1",[],"Fringe Festival Roma, MMMD Bagneaux",[],{"_key":1437,"_type":41,"children":1438,"markDefs":1455,"style":50},"6bb3f39ad582",[1439,1443,1447,1451],{"_key":1440,"_type":45,"marks":1441,"text":1442},"e8971d204b63",[334],"Per una lucciola ",{"_key":1444,"_type":45,"marks":1445,"text":1446},"57ba784de0a4",[],"est une pièce de théâtre gestuel, où un performeur dialogue avec un dispositif architectural gonflable. Ce travail s’articule autour de la thématique des femmes qui se battent pour créer un autre espace, une nouvelle perspective. À l’image des lucioles, qui brillent malgré tout, cette œuvre célèbre la résilience. À travers un langage quotidien qui se teinte de symbolisme, cette femme partage sa relation au plaisir et sa lutte contre un extérieur oppressant. Symbole de cette menace, une structure en plastique gonfle et envahit progressivement l’espace, entravant ses mouvements.\n\n",{"_key":1448,"_type":45,"marks":1449,"text":1450},"1e2be2f3216d",[334],"L’espace scénographique",{"_key":1452,"_type":45,"marks":1453,"text":1454},"6093189a3bdc",[]," est conçu comme un environnement aseptisé : un non-lieu, tel que le définit Marc Augé, dépourvu d'âme (salles d’attente, aéroports, centres commerciaux, etc.). Il s'agit d'une boîte blanche dans laquelle une structure gonflable, également blanche, évolue avec le personnage, jusqu'à occuper l'ensemble de l'espace scénique, symbolisant la violence de notre société. L'écriture dramaturgique de l'espace est au cœur du projet : il s'agit de créer un environnement dans lequel le personnage vit, avec lequel il dialogue en permanence et qui l'oblige à une résistance perpétuelle pour avancer. \n\n",[],{"en":1457},[1458,1466,1477,1488,1496,1504],{"_key":1459,"_type":41,"children":1460,"markDefs":1465,"style":50},"b492d7ce4e6b",[1461],{"_key":1462,"_type":45,"marks":1463,"text":1464},"d815aa60ac940",[47],"Set Designer / Dramaturge / Builder",[],{"_key":1467,"_type":41,"children":1468,"markDefs":1476,"style":50},"5ec7782924f6",[1469,1472],{"_key":1470,"_type":45,"marks":1471,"text":322},"807ec01a96be0",[47],{"_key":1473,"_type":45,"marks":1474,"text":1475},"b65cf85c8521",[]," Fringe Festival Rome, MMMD Bagneaux",[],{"_key":1478,"_type":41,"children":1479,"markDefs":1487,"style":50},"159388d0aa88",[1480,1483],{"_key":1481,"_type":45,"marks":1482,"text":1442},"0c578422bb7d0",[334],{"_key":1484,"_type":45,"marks":1485,"text":1486},"a9cddf905efc",[],"is a gestural theater piece where a performer interacts with an inflatable architectural device. This work revolves around the theme of women fighting to create a different space and a new perspective. Like fireflies that shine against all odds, this piece celebrates resilience.",[],{"_key":1489,"_type":41,"children":1490,"markDefs":1495,"style":50},"36e87e2ee191",[1491],{"_key":1492,"_type":45,"marks":1493,"text":1494},"316fb5c2da8d0",[],"Through a daily language infused with symbolism, this woman shares her relationship with pleasure and her struggle against an oppressive outside. A symbol of this threat, a plastic structure inflates and gradually invades the space, hindering her movements.",[],{"_key":1497,"_type":41,"children":1498,"markDefs":1503,"style":50},"e7aa9dfc09e4",[1499],{"_key":1500,"_type":45,"marks":1501,"text":1502},"23f9d241ea8e0",[],"The set design is conceived as an aseptic environment: a non-place, as defined by Marc Augé, devoid of soul (waiting rooms, airports, shopping centers, etc.). It is a white box in which a white inflatable structure evolves alongside the character, ultimately filling the entire stage space and symbolizing the violence of our society.",[],{"_key":1505,"_type":41,"children":1506,"markDefs":1511,"style":50},"cdba09a37c63",[1507],{"_key":1508,"_type":45,"marks":1509,"text":1510},"62f5d042095f0",[],"The dramaturgical writing of the space is at the heart of the project: it aims to create an environment in which the character lives, continuously interacting with it and being compelled to resist in order to move forward.",[],"Per una 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Biase.",[],{"_key":1589,"_type":41,"children":1590,"markDefs":1598,"style":50},"b3326c62942e",[1591,1594],{"_key":1592,"_type":45,"marks":1593,"text":753},"6ed47a0ea580",[47],{"_key":1595,"_type":45,"marks":1596,"text":1597},"43d5f89bbb85",[],"Le Générateur, Velvet Moon pour l'exposition INSIDE, Journée contre la violence faite aux femmes, Villa mais d'ici, Eté Culturelle de Bourgogne.",[],{"_key":1600,"_type":41,"children":1601,"markDefs":1605,"style":50},"1681f36619a2",[1602],{"_key":1603,"_type":45,"marks":1604,"text":304},"502cdf0128790",[],[],{"en":1607},[1608,1619],{"_key":1609,"_type":41,"children":1610,"markDefs":1618,"style":50},"e45fbe40272c",[1611,1614],{"_key":1612,"_type":45,"marks":1613,"text":382},"7ba68ad5bd6c0",[47],{"_key":1615,"_type":45,"marks":1616,"text":1617},"2d9628d4de67",[],"With Sonia Alcaraz / Written: La Furibunda / Directed: Giulia Aleandri / Set and Costume Design:  Marta Pasquetti / Original Sound Design and Voice: Serena Di Biase",[],{"_key":1620,"_type":41,"children":1621,"markDefs":1630,"style":50},"8b1fad3a2064",[1622,1626],{"_key":1623,"_type":45,"marks":1624,"text":1625},"7983cc4a3d78",[47],"Partnership:",{"_key":1627,"_type":45,"marks":1628,"text":1629},"6de47277aa33",[]," Le Générateur, Velvet Moon pour l'exposition INSIDE, Journée contre la violence faite aux femmes, Villa mais d'ici, Eté Culturelle de Bourgogne.",[],[1632,1640,1651],{"_key":1633,"_type":41,"children":1634,"markDefs":1639,"style":50},"1c0c78379431",[1635],{"_key":1636,"_type":45,"marks":1637,"text":1638},"c838a3b0c6000",[47],"Scénographe / Dramaturg",[],{"_key":1641,"_type":41,"children":1642,"markDefs":1650,"style":50},"d7bed68a5217",[1643,1646],{"_key":1644,"_type":45,"marks":1645,"text":621},"9bf55be10e88",[47],{"_key":1647,"_type":45,"marks":1648,"text":1649},"4a981a761aff",[]," Le Générateur (FR), Été culturel Bourgogne (FR), Ex Mattatoio (IT), Clap festival ( IT), Exposition INSIDE (FR).",[],{"_key":1652,"_type":41,"children":1653,"markDefs":1658,"style":50},"e4b7a4dd-e626-461b-b783-0ea3f408877a",[1654],{"_key":1655,"_type":45,"marks":1656,"text":1657},"7efc5cfe-2bd0-4d0c-a03a-cfda04763276",[],"EMERGENZE explore l'idée d'un espace scénographique à travers une structure légère et gonflable, qui constitue l'un des axes centraux de la recherche artistique. Les éléments présents mettent en lumière la difficulté des mouvements, le contact entre le corps humain et la matière plastique, ainsi que la manipulation des objets, tous devenant des éléments chorégraphiques.\n\nLa matière plastique qui enveloppe la performeuse évoque des notions ambivalentes : elle est à la fois un nid, une matrice, un liquide amniotique et, simultanément, une menace imminente. Ce dualisme souligne les tensions inhérentes à l’expérience humaine, entre sécurité et danger.\n\nLe son, travaillé avec soin par la conceptrice sonore, amplifie et distord la perception de l'espace. Il agit comme un écho des sensations suscitées par la matière plastique, oscillant entre protection et suffocation. À travers cette interaction, l'œuvre invite le spectateur à réfléchir sur sa propre expérience du vivant et sur les relations complexes que nous entretenons avec notre environnement, à la fois nourrissant et menaçant.\n\nAinsi, cette installation ne se limite pas à une simple représentation : elle crée un espace d'interaction où le corps, la matière et le son s'entrelacent pour questionner notre rapport à l'existence, à la fragilité et à la résilience.",[],{"en":1660},[1661,1669,1681,1689,1697,1705],{"_key":1662,"_type":41,"children":1663,"markDefs":1668,"style":50},"d999384343fe",[1664],{"_key":1665,"_type":45,"marks":1666,"text":1667},"25045553a8710",[47],"Set designer / dramaturg",[],{"_key":1670,"_type":41,"children":1671,"markDefs":1680,"style":50},"f67ea3e29c37",[1672,1676],{"_key":1673,"_type":45,"marks":1674,"text":1675},"c108de6acbf9",[47],"Locations: ",{"_key":1677,"_type":45,"marks":1678,"text":1679},"13c4134f872b",[],"Le Générateur (FR), Été culturel Bourgogne (FR), Ex Mattatoio (IT), Clap festival ( IT), Exposition INSIDE (FR).",[],{"_key":1682,"_type":41,"children":1683,"markDefs":1688,"style":50},"7e00892b6b06",[1684],{"_key":1685,"_type":45,"marks":1686,"text":1687},"155949ce49a1",[],"EMERGENZE explores the concept of a scenographic space through a light, inflatable structure that serves as a central axis of artistic research. The elements within highlight the difficulty of movement, the contact between the human body and plastic material, and the manipulation of objects, all of which become choreographic components.",[],{"_key":1690,"_type":41,"children":1691,"markDefs":1696,"style":50},"b4e32fc158bd",[1692],{"_key":1693,"_type":45,"marks":1694,"text":1695},"f06b7447c20e0",[],"The plastic material enveloping the performer evokes ambivalent notions: it acts as a nest, a matrix, an amniotic fluid, and simultaneously as an imminent threat. This dualism underscores the inherent tensions of the human experience, balancing safety and danger.",[],{"_key":1698,"_type":41,"children":1699,"markDefs":1704,"style":50},"fd8bde076da4",[1700],{"_key":1701,"_type":45,"marks":1702,"text":1703},"03b931c449330",[],"Sound, carefully crafted by the sound designer, amplifies and distorts the perception of space. It echoes the sensations elicited by the plastic material, oscillating between protection and suffocation. Through this interaction, the work invites viewers to reflect on their own experience of life and the complex relationships we maintain with our environment—both nurturing and threatening.",[],{"_key":1706,"_type":41,"children":1707,"markDefs":1712,"style":50},"4cbfb1f02816",[1708],{"_key":1709,"_type":45,"marks":1710,"text":1711},"5408c830d9cc0",[],"Thus, this installation transcends simple representation; it creates an interactive space where body, material, and sound intertwine to question our relationship with existence, fragility, and resilience.",[],"Emergenze",{"en":1713},{"en":710},[1717,1731,1740,1749],{"asset":1718,"caption":5,"crop":1721,"hotspot":1726,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":1719,"url":1720},"image-c8a7b5340ff5ad772a8bfc2673dcb29f998229ff-3024x4032-jpg","https://cdn.sanity.io/images/72lhhwk9/production/c8a7b5340ff5ad772a8bfc2673dcb29f998229ff-3024x4032.jpg",{"_type":512,"bottom":1722,"left":1723,"right":1724,"top":1725},0.0680434283088236,0.08233762254901954,0.19199346405228757,0.5020680147058824,{"_type":516,"height":1727,"width":1728,"x":1729,"y":1730},0.42988855698529405,0.7256689133986929,0.445172079248366,0.7170122931985294,{"asset":1732,"caption":5,"crop":1735,"hotspot":1737,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":1733,"url":1734},"image-b623713860c65618bfc770cb9e32e86c4535a915-3024x4032-jpg","https://cdn.sanity.io/images/72lhhwk9/production/b623713860c65618bfc770cb9e32e86c4535a915-3024x4032.jpg",{"_type":512,"bottom":514,"left":514,"right":514,"top":1736},0.3116383272058823,{"_type":516,"height":1738,"width":13,"x":518,"y":1739},0.6883616727941178,0.6558191636029411,{"asset":1741,"caption":5,"crop":1744,"hotspot":1746,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":1742,"url":1743},"image-9cc8e1adc5d9571f2fcb6ff4853f55c86dca4237-3024x4032-jpg","https://cdn.sanity.io/images/72lhhwk9/production/9cc8e1adc5d9571f2fcb6ff4853f55c86dca4237-3024x4032.jpg",{"_type":512,"bottom":514,"left":514,"right":514,"top":1745},0.36571308210784315,{"_type":516,"height":1747,"width":13,"x":518,"y":1748},0.6342869178921569,0.6828565410539216,{"asset":1750,"caption":5,"crop":5,"hotspot":5,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":1751,"url":1752},"image-33cc044d54c8b599eaf925558facffd5baac511a-6912x3456-png","https://cdn.sanity.io/images/72lhhwk9/production/33cc044d54c8b599eaf925558facffd5baac511a-6912x3456.png","emergenze",{"projectInfo":1755,"projectPhotoGallery":1890,"slugProject":1912},{"artists":1756,"artistsTranslations":1786,"description":1809,"descriptionTranslations":1845,"lieu":5,"lieuTranslations":5,"projectName":1886,"projectNameTranslations":1887,"subtitle":1888,"subtitleTranslations":1889},[1757,1768,1775],{"_key":1758,"_type":41,"children":1759,"markDefs":1767,"style":50},"c16fc27f-9c78-44ca-9499-c32e834b5255",[1760,1763],{"_key":1761,"_type":45,"marks":1762,"text":382},"2e5aca228398",[47],{"_key":1764,"_type":45,"marks":1765,"text":1766},"85f2c63c7a3e",[],"Mise en scène de Gerardo Maffei/ Avec Maria Cristina Mastrangeli / Scénographie et costumes: Marta Pasquetti avec Federica Buffoli / Création Lumières: Jean-Pierre Michel.",[],{"_key":1769,"_type":41,"children":1770,"markDefs":1774,"style":50},"014f01de0d38",[1771],{"_key":1772,"_type":45,"marks":1773,"text":237},"16e4bf8ccef3",[],[],{"_key":1776,"_type":41,"children":1777,"markDefs":1785,"style":50},"9aa29fc9568f",[1778,1781],{"_key":1779,"_type":45,"marks":1780,"text":753},"3b56490499df",[47],{"_key":1782,"_type":45,"marks":1783,"text":1784},"d78f896c8018",[],"Théâtre de Belleville, Lilas en Scène, octogone lab, Fontenay-en-scène, La Grange Dîmière, Théâtre de Rungis, Théâtre Paul Éluard.",[],{"en":1787},[1788,1799],{"_key":1789,"_type":41,"children":1790,"markDefs":1798,"style":50},"6727c3fc412a",[1791,1794],{"_key":1792,"_type":45,"marks":1793,"text":48},"d5edf7fbeade0",[47],{"_key":1795,"_type":45,"marks":1796,"text":1797},"bfd9c71169ad",[]," Directed by Gerardo Maffei / Featuring: Maria Cristina Mastrangeli / Set Design: Marta Pasquetti with Federica Buffoli / Lighting Design: Jean-Pierre Michel.",[],{"_key":1800,"_type":41,"children":1801,"markDefs":1808,"style":50},"2c513093832a",[1802,1805],{"_key":1803,"_type":45,"marks":1804,"text":1409},"25d5b4404cde0",[47],{"_key":1806,"_type":45,"marks":1807,"text":1784},"e152af2a60b5",[],[],[1810,1818,1829],{"_key":1811,"_type":41,"children":1812,"markDefs":1817,"style":50},"ff8bb227-0622-4e49-80f1-3bdd5c1f1d48",[1813],{"_key":1814,"_type":45,"marks":1815,"text":1816},"3aa823b4451c",[47],"Scénographe / Constructrice / Costumière",[],{"_key":1819,"_type":41,"children":1820,"markDefs":1828,"style":50},"9f4242b79751",[1821,1824],{"_key":1822,"_type":45,"marks":1823,"text":274},"19624dca01b5",[47],{"_key":1825,"_type":45,"marks":1826,"text":1827},"e383646994fb",[],"TDB",[],{"_key":1830,"_type":41,"children":1831,"markDefs":1844,"style":50},"a105c96a3fa3",[1832,1836,1840],{"_key":1833,"_type":45,"marks":1834,"text":1835},"3cc15f26aafd",[],"Le seul personnage du texte est une femme, déjà âgée, qui oscille d’une humeur à l’autre, tiraillée entre l’envie d’être indépendante et le poids des jugements de la société, qui lui imposent de rester femme au foyer.\n\n",{"_key":1837,"_type":45,"marks":1838,"text":1839},"ab515ebe20a4",[334],"Espace scénique",{"_key":1841,"_type":45,"marks":1842,"text":1843},"57f3f7d20310",[],"\nLe décor évoque une rivière ou un lac. L’actrice est suspendue à un harnais d’élévation adapté, à un mètre et demi de hauteur au-dessus de la scène. Cette suspension crée un effet d’instabilité qui caractérise le personnage. Une crinoline géante flotte dans l’air, englobant les spectateurs, représentant une femme chassée et qui chasse, emprisonnée par la structure sociale des années 60 en Italie.",[],{"en":1846},[1847,1855,1866,1874],{"_key":1848,"_type":41,"children":1849,"markDefs":1854,"style":50},"d414543d755e",[1850],{"_key":1851,"_type":45,"marks":1852,"text":1853},"f48e6e9413230",[47],"Scenographer / Builder / Costume Designer",[],{"_key":1856,"_type":41,"children":1857,"markDefs":1865,"style":50},"1a7c8abffb65",[1858,1861],{"_key":1859,"_type":45,"marks":1860,"text":322},"c82f3363e6f10",[47],{"_key":1862,"_type":45,"marks":1863,"text":1864},"2a7bcd3606eb",[]," TDB",[],{"_key":1867,"_type":41,"children":1868,"markDefs":1873,"style":50},"35e3fd88e626",[1869],{"_key":1870,"_type":45,"marks":1871,"text":1872},"9406d4ce9a300",[],"The only character in the text is an elderly woman who swings from one mood to another, torn between the desire for independence and the weight of societal judgments that impose on her the role of a housewife.",[],{"_key":1875,"_type":41,"children":1876,"markDefs":1885,"style":50},"1049f42d4ad0",[1877,1881],{"_key":1878,"_type":45,"marks":1879,"text":1880},"db36c3b6647b0",[334],"Scenic Space",{"_key":1882,"_type":45,"marks":1883,"text":1884},"de06efffde53",[],"\nThe set evokes a river or a lake. The actress is suspended in a specially designed lifting harness, one and a half meters above the stage. This suspension creates an effect of instability that characterizes the character. A giant crinoline floats in the air, encompassing the audience, representing a woman who is both hunted and hunting, trapped by the social structure of the 1960s in Italy.",[],"Un petit poisson",{"en":1886},"Gerardo Maffei",{"en":1888},[1891,1895,1899],{"asset":1892,"caption":5,"crop":5,"hotspot":5,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":1893,"url":1894},"image-9f372fec39428faab390290244e8e8ad0f13f72d-5271x2965-jpg","https://cdn.sanity.io/images/72lhhwk9/production/9f372fec39428faab390290244e8e8ad0f13f72d-5271x2965.jpg",{"asset":1896,"caption":5,"crop":5,"hotspot":5,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":1897,"url":1898},"image-f3a9347e5eb2c94010ced8c77734b518066257b0-5760x3840-jpg","https://cdn.sanity.io/images/72lhhwk9/production/f3a9347e5eb2c94010ced8c77734b518066257b0-5760x3840.jpg",{"asset":1900,"caption":5,"crop":1903,"hotspot":1907,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":1901,"url":1902},"image-7e65e0c518d65be54f1bad2480773d907cd58974-6912x3456-png","https://cdn.sanity.io/images/72lhhwk9/production/7e65e0c518d65be54f1bad2480773d907cd58974-6912x3456.png",{"_type":512,"bottom":1904,"left":1905,"right":514,"top":1906},0.09431185787671237,0.1353876819349315,0.17409567636986314,{"_type":516,"height":1908,"width":1909,"x":1910,"y":1911},0.7315924657534245,0.8646123180650684,0.5676938409674657,0.5398919092465754,"unpetitpoisson",{"projectInfo":1914,"projectPhotoGallery":2042,"slugProject":2090},{"artists":1915,"artistsTranslations":1938,"description":1963,"descriptionTranslations":1997,"lieu":5,"lieuTranslations":5,"projectName":2037,"projectNameTranslations":2038,"subtitle":2040,"subtitleTranslations":2041},[1916,1927],{"_key":1917,"_type":41,"children":1918,"markDefs":1926,"style":50},"02819702-fe37-47e4-95d6-d7fa0308735f",[1919,1922],{"_key":1920,"_type":45,"marks":1921,"text":48},"2c3a1034-8609-4c79-b6e3-cd4be2d557c1",[47],{"_key":1923,"_type":45,"marks":1924,"text":1925},"d5ef108f2728",[]," Mise en scène de Luis Torreao / Avec Sonia Alcaraz, Mélody Maloux, Guillaume Le Pape et Luis Torreao / Regard extérieur : Lola Atger / Scénographie : Marta Pasquetti / Construction décor : Frank Ottegen et Marta Pasquetti / Création des musiques originales : Robin Gentien avec la participation de Apolline Kirklar / Création Lumières : Leslie Horowitz ",[],{"_key":1928,"_type":41,"children":1929,"markDefs":1937,"style":50},"83303d5ffff1",[1930,1933],{"_key":1931,"_type":45,"marks":1932,"text":401},"fd3f4efa7b45",[47],{"_key":1934,"_type":45,"marks":1935,"text":1936},"cfcfed95542b",[]," Musée Camille Claudel,  l'Odyssée - scène conventionnée Art et Création Perigueux; Théâtre Victor Hugo, Le Silo.",[],{"en":1939},[1940,1951],{"_key":1941,"_type":41,"children":1942,"markDefs":1950,"style":50},"af45d603f7f0",[1943,1946],{"_key":1944,"_type":45,"marks":1945,"text":48},"d219fe7e0c7f0",[47],{"_key":1947,"_type":45,"marks":1948,"text":1949},"e245992a8954",[]," Directed by Luis Torreao / Featuring Sonia Alcaraz, Mélody Maloux, Guillaume Le Pape, and Luis Torreao / Outside Eye: Lola Atger / Set Design: Marta Pasquetti / Set Construction: Frank Ottegen and Marta Pasquetti / Original Music Composition: Robin Gentien with the participation of Apolline Kirklar / Lighting Design: Leslie Horowitz.",[],{"_key":1952,"_type":41,"children":1953,"markDefs":1962,"style":50},"a015e4d75b9c",[1954,1958],{"_key":1955,"_type":45,"marks":1956,"text":1957},"6eb74af446b50",[47],"Partners:",{"_key":1959,"_type":45,"marks":1960,"text":1961},"878079cddb0d",[]," Musée Camille Claudel, L'Odyssée - Conventioned Art and Creation Scene Périgueux; Théâtre Victor Hugo, Le Silo.",[],[1964,1971,1982],{"_key":1965,"_type":41,"children":1966,"markDefs":1970,"style":50},"5210fc0c-546b-4100-a7bf-df3b36f6637f",[1967],{"_key":1968,"_type":45,"marks":1969,"text":1816},"e881283e0123",[47],[],{"_key":1972,"_type":41,"children":1973,"markDefs":1981,"style":50},"e7201957a92d",[1974,1977],{"_key":1975,"_type":45,"marks":1976,"text":274},"54582843b383",[47],{"_key":1978,"_type":45,"marks":1979,"text":1980},"830cd0902b1d",[],"TDB, Mimos, L'Odyssée, Festival La Traversée, IVT.",[],{"_key":1983,"_type":41,"children":1984,"markDefs":1996,"style":50},"23ae23c45907",[1985,1989,1992],{"_key":1986,"_type":45,"marks":1987,"text":1988},"a51f9f6752fb",[],"Une nuit, dans un atelier de sculpture, les statues d’August Rodin et de Camille Claudel prennent vie. Cette création de théâtre gestuel met en scène quatre interprètes, explorant l’histoire de Rodin et Claudel, sculpteurs et amants. Le spectacle interroge le rapport du sculpteur à son œuvre, le mythe de Pygmalion, ainsi que la passion amoureuse et le rôle d’une femme sculptrice talentueuse à la fin du XIXe siècle. À travers un enchaînement de cauchemars et de souvenirs de Claudel, nous revivons leur vie ensemble, tout en examinant, par les corps et les gestes, le rapport à la matière, à la sculpture et à la création.\n\n",{"_key":1990,"_type":45,"marks":1991,"text":641},"acd0f354335b",[334],{"_key":1993,"_type":45,"marks":1994,"text":1995},"a702852a876f",[],"\nL’atelier abandonné, un lieu atemporel, devient l'espace de la mémoire où les souvenirs s’animent. La toile de fond et la verrière sont des éléments vivants de ce cauchemar ; elles évoluent et changent d'état en fonction de la dramaturgie. La toile sert à la fois de matière solide, comme un mur d'atelier, et, lorsqu'elle est éclairée, elle se dématérialise pour devenir un fond vivant d'un rêve troublant. La verrière laisse passer la lumière de la lune dans l’espace de l’atelier, s’animant parfois de reflets qui démultiplient les visions. Lorsque les statues prennent vie, leur présence cauchemardesque est accentuée par les ombres projetées sur le mur et par leurs reflets déformés. Sur le plateau, les objets de la scène sont représentés par des podiums géométriques en pierre qui accompagnent la courbe des corps qui les manipulent. Aimantés les uns aux autres, ces éléments se comportent comme une matière modulable.",[],{"en":1998},[1999,2006,2017,2025],{"_key":2000,"_type":41,"children":2001,"markDefs":2005,"style":50},"9d7a90cffa55",[2002],{"_key":2003,"_type":45,"marks":2004,"text":1853},"93a4e30ed0d30",[47],[],{"_key":2007,"_type":41,"children":2008,"markDefs":2016,"style":50},"df6b915bb934",[2009,2012],{"_key":2010,"_type":45,"marks":2011,"text":322},"d3a7a913e20f0",[47],{"_key":2013,"_type":45,"marks":2014,"text":2015},"0fb8f38c7292",[]," TDB, Mimos, L'Odyssée, Festival La Traversée, IVT.",[],{"_key":2018,"_type":41,"children":2019,"markDefs":2024,"style":50},"53eba6bbdc81",[2020],{"_key":2021,"_type":45,"marks":2022,"text":2023},"b30b3bcd77170",[],"One night, in a sculpture studio, the statues of August Rodin and Camille Claudel come to life. This creation of gestural theater features four performers, exploring the story of Rodin and Claudel, sculptors and lovers. The performance questions the sculptor's relationship with his work, the myth of Pygmalion, as well as the romantic passion and the role of a talented female sculptor at the end of the 19th century. Through a series of nightmares and memories of Claudel, we relive their life together while examining, through bodies and gestures, the relationship to material, sculpture, and creation.",[],{"_key":2026,"_type":41,"children":2027,"markDefs":2036,"style":50},"4b1ea26f743e",[2028,2032],{"_key":2029,"_type":45,"marks":2030,"text":2031},"69a9f6501fb90",[334],"Scenic Space\n",{"_key":2033,"_type":45,"marks":2034,"text":2035},"6d97315266c6",[],"The abandoned workshop, a timeless place, becomes the space of memory where memories come to life. The backdrop and the skylight are living elements of this nightmare; they evolve and change states according to the dramaturgy. The fabric serves both as a solid material, like a workshop wall, and when illuminated, it dematerializes to become a living background of a disturbing dream. The skylight allows moonlight to enter the studio space, sometimes animated by reflections that multiply visions. When the statues come to life, their nightmarish presence is accentuated by shadows projected on the wall and their distorted reflections. On stage, the objects are represented by geometric stone podiums that accompany the curves of the bodies manipulating them. 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(ACTE SUD)\n\n",{"_key":2280,"_type":45,"marks":2281,"text":641},"da6dbbaa55c9",[334],{"_key":2283,"_type":45,"marks":2284,"text":2285},"5c740ce09c06",[],"\nDans un espace onirique, une structure s'élève : un lit/trône démesuré. Le lit, symbole de protection et de refuge, côtoie le trône, emblème du pouvoir et de l’opulence. Cette dualité crée une structure ambitieuse, à l’apparence fragile et instable. Le sommier, sans matelas, permet au jeu de l'acteur d’amplifier la sensation d’instabilité et de vulnérabilité. Un tapis de plumes renforce l'idée d'intemporalité de l'espace.\n\nLe décor évolue au fil du récit. La structure métallique se transforme en navire, en cage, en observatoire du monde, en nid perché, offrant une protection contre un monde que l'on ne reconnaît plus. 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Sous la direction de Franco Visioli et Annelisa Zaccheria, nous avons travaillé à la création d’un espace où les actions et les objets du quotidien prennent une nouvelle dimension, révélée par l’utilisation audacieuse du dessin sonore.\n\nChaque élément de ce projet transcende son utilité première, s’infusant d’une poétique sonore qui invite les visiteurs à percevoir le monde sous un angle inédit. Dans cet environnement, le son devient une langue à part entière, tissant des liens entre les gestes familiers et une expérience sensorielle radicalement différente. Ce dialogue entre le visuel et l’auditif redéfinit notre relation aux objets, les élevant à une forme d’art à part entière.",[],{"en":2405},[2406,2413,2424,2432],{"_key":2407,"_type":41,"children":2408,"markDefs":2412,"style":50},"8eaaa5439642",[2409],{"_key":2410,"_type":45,"marks":2411,"text":1108},"e4c1c8083c970",[47],[],{"_key":2414,"_type":41,"children":2415,"markDefs":2423,"style":50},"5644fd5cd37e",[2416,2419],{"_key":2417,"_type":45,"marks":2418,"text":322},"470103ff20f90",[47],{"_key":2420,"_type":45,"marks":2421,"text":2422},"a72d1b6efcea",[]," The Venice Biennale",[],{"_key":2425,"_type":41,"children":2426,"markDefs":2431,"style":50},"b5c094073833",[2427],{"_key":2428,"_type":45,"marks":2429,"text":2430},"6dbb49cc537d0",[],"Designed as an immersive exploration, this study unites sound design and international scenographers, culminating in a presentation at the Biennale. Under the direction of Franco Visioli and Annelisa Zaccheria, we collaborated to create a space where everyday actions and objects take on new dimensions, unveiled through the bold use of sound design.",[],{"_key":2433,"_type":41,"children":2434,"markDefs":2439,"style":50},"d1b951053d96",[2435],{"_key":2436,"_type":45,"marks":2437,"text":2438},"e3dbc8e3e6020",[],"Each element of this project transcends its primary function, infused with a poetic soundscape that invites visitors to perceive the world from a fresh perspective. In this environment, sound becomes a language of its own, weaving connections between familiar gestures and a radically different sensory experience. This dialogue between the visual and auditory redefines our relationship with objects, elevating them to a unique form of art.",[],"Algoritmo",{"en":2440},"Etudes pour la Binennale de Venise/ Biennale College",{"en":2444},"Study for the Venice Biennale/ Biennale College",[2446,2450],{"asset":2447,"caption":5,"crop":5,"hotspot":5,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":2448,"url":2449},"image-6f348553cd3c5eaf93fe41f8e27f804c337d1670-1742x1140-png","https://cdn.sanity.io/images/72lhhwk9/production/6f348553cd3c5eaf93fe41f8e27f804c337d1670-1742x1140.png",{"asset":2451,"caption":5,"crop":2454,"hotspot":2456,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":2452,"url":2453},"image-765098f0c83917cd961c6655bcde6a3536397538-2126x1418-jpg","https://cdn.sanity.io/images/72lhhwk9/production/765098f0c83917cd961c6655bcde6a3536397538-2126x1418.jpg",{"_type":512,"bottom":2455,"left":514,"right":514,"top":514},0.34934335019951435,{"_type":516,"height":2457,"width":13,"x":518,"y":2458},0.6506566498004857,0.3253283249002428,"algoritmo",{"projectInfo":2461,"projectPhotoGallery":2554,"slugProject":2583},{"artists":2462,"artistsTranslations":2475,"description":2488,"descriptionTranslations":2516,"lieu":5,"lieuTranslations":5,"projectName":2552,"projectNameTranslations":2553,"subtitle":5,"subtitleTranslations":5},[2463],{"_key":2464,"_type":41,"children":2465,"markDefs":2474,"style":50},"e6990ecf-f541-4a6b-9ac0-eeba5fc028e4",[2466,2470],{"_key":2467,"_type":45,"marks":2468,"text":2469},"06dbe480-a3aa-4238-8d7f-67bfde6966df",[47],"Distribution :",{"_key":2471,"_type":45,"marks":2472,"text":2473},"4fac1a1f8ae4",[]," Chorégraphie, écriture : Sonia Alcaraz / Avec : Sonia Alcaraz  /Musique : Pascal Lazarus / Scénographie : Marta Pasquetti, Nicolas Atlé / Curatela: Nina Orta  / Vidéo : Alexadre Demat, Antoine Bouvaly, Adrien Nils Hotteman",[],{"en":2476},[2477],{"_key":2478,"_type":41,"children":2479,"markDefs":2487,"style":50},"3824ecb7d70f",[2480,2483],{"_key":2481,"_type":45,"marks":2482,"text":382},"b25297617f9b0",[47],{"_key":2484,"_type":45,"marks":2485,"text":2486},"4d8c31bf2431",[],"Choreography and Writing: Sonia Alcaraz / With: Sonia Alcaraz / Music: Pascal Lazarus / Scenography: Marta Pasquetti, Nicolas Atlé / Curatorial Work: Nina Orta / Video: Alexandre Demat, Antoine Bouvaly, Adrien Nils Hotteman.",[],[2489,2497,2508],{"_key":2490,"_type":41,"children":2491,"markDefs":2496,"style":50},"47fad767-3888-4fb9-94db-904d1cd98d3c",[2492],{"_key":2493,"_type":45,"marks":2494,"text":2495},"a87996ad5239",[47],"Scénographe / constructrice",[],{"_key":2498,"_type":41,"children":2499,"markDefs":2507,"style":50},"ca603a4dc604",[2500,2503],{"_key":2501,"_type":45,"marks":2502,"text":621},"81af8fa68104",[47],{"_key":2504,"_type":45,"marks":2505,"text":2506},"9a6cf51472a8",[]," Festival 150 ans de la Louviere ",[],{"_key":2509,"_type":41,"children":2510,"markDefs":2515,"style":50},"3b73a514cc8b",[2511],{"_key":2512,"_type":45,"marks":2513,"text":2514},"fa50f2725eaa",[],"Conçue en collaboration avec le Musée de la Poterie Bosh, cette recherche expérimentale explore la confluence entre le mapping et la chorégraphie, ancrée dans la mémoire des gestes oubliés, en particulier ceux liés aux métiers de la poterie. \n\nCette œuvre invite les spectateurs à une réflexion sur l’importance de la mémoire collective et sur la manière dont les pratiques artisanales peuvent continuer à nourrir notre imaginaire contemporain. ",[],{"en":2517},[2518,2525,2536,2544],{"_key":2519,"_type":41,"children":2520,"markDefs":2524,"style":50},"50738a87a254",[2521],{"_key":2522,"_type":45,"marks":2523,"text":1249},"bc4560220bc60",[47],[],{"_key":2526,"_type":41,"children":2527,"markDefs":2535,"style":50},"3d57cfa2b57c",[2528,2531],{"_key":2529,"_type":45,"marks":2530,"text":835},"295da31fe48c0",[47],{"_key":2532,"_type":45,"marks":2533,"text":2534},"e8c9d45b1c9b",[],"150th Anniversary Festival of La Louvière",[],{"_key":2537,"_type":41,"children":2538,"markDefs":2543,"style":50},"b7761f6f5e88",[2539],{"_key":2540,"_type":45,"marks":2541,"text":2542},"86933bd8544c0",[],"Developed in collaboration with the Bosh Pottery Museum, this experimental research explores the confluence of mapping and choreography, rooted in the memory of forgotten gestures, particularly those related to pottery crafts.",[],{"_key":2545,"_type":41,"children":2546,"markDefs":2551,"style":50},"e913ebdb5e67",[2547],{"_key":2548,"_type":45,"marks":2549,"text":2550},"6ff98992aaa60",[],"This work invites the audience to reflect on the importance of collective memory and how artisanal practices can continue to nourish our contemporary imagination.",[],"Traces",{"en":2552},[2555,2567,2579],{"asset":2556,"caption":5,"crop":2559,"hotspot":2562,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":2557,"url":2558},"image-9a3e8eb832c23441f72bc27bc20698009c8e8ae0-1920x1080-jpg","https://cdn.sanity.io/images/72lhhwk9/production/9a3e8eb832c23441f72bc27bc20698009c8e8ae0-1920x1080.jpg",{"_type":512,"bottom":514,"left":2560,"right":514,"top":2561},0.13645119863013677,0.191880034916882,{"_type":516,"height":2563,"width":2564,"x":2565,"y":2566},0.808119965083118,0.8635488013698632,0.5682255993150684,0.595940017458441,{"asset":2568,"caption":5,"crop":2571,"hotspot":2574,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":2569,"url":2570},"image-44a09945e1a33ff8d57310f47ddc24ebbf238782-1620x1080-jpg","https://cdn.sanity.io/images/72lhhwk9/production/44a09945e1a33ff8d57310f47ddc24ebbf238782-1620x1080.jpg",{"_type":512,"bottom":514,"left":2572,"right":514,"top":2573},0.10120130565068484,0.0935124175973919,{"_type":516,"height":2575,"width":2576,"x":2577,"y":2578},0.9064875824026081,0.8987986943493151,0.5506006528253424,0.5467562087986959,{"asset":2580,"caption":5,"crop":5,"hotspot":5,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":2581,"url":2582},"image-5e6ac5c7d4210e01b2233b0aa4247068a1a54b67-1620x1080-jpg","https://cdn.sanity.io/images/72lhhwk9/production/5e6ac5c7d4210e01b2233b0aa4247068a1a54b67-1620x1080.jpg","traces",{"projectInfo":2585,"projectPhotoGallery":2715,"slugProject":2748},{"artists":2586,"artistsTranslations":2597,"description":2607,"descriptionTranslations":2648,"lieu":5,"lieuTranslations":5,"projectName":2711,"projectNameTranslations":2712,"subtitle":2713,"subtitleTranslations":2714},[2587],{"_key":2588,"_type":41,"children":2589,"style":50},"e9cded8a-2049-4ac5-9282-2bd45fe19294",[2590,2593],{"_key":2591,"_type":45,"marks":2592,"text":48},"a23e8c7f-423b-4e45-81af-182bb76a33c6",[47],{"_key":2594,"_type":45,"marks":2595,"text":2596},"189af83c1175",[],"Texte et m.e.s : Christophe Casamance / Avec Bruno Coulon et Fatima Soualhia Manet / Scénographie : Marta Pasquetti  / Création Lumières :Flore Marvaux / Création sonore :  François Duguest  / Vidéo : David Fitt.",{"en":2598},[2599],{"_key":2600,"_type":41,"children":2601,"markDefs":2606,"style":50},"dc29f6efc141",[2602],{"_key":2603,"_type":45,"marks":2604,"text":2605},"ed10de08cfbb0",[],"Distribution: Text and direction: Christophe Casamance / With: Bruno Coulon and Fatima Soualhia Manet / Scenography: Marta Pasquetti / Lighting design: Flore Marvaux / Sound design: François Duguest / Video: David Fitt.",[],[2608,2614,2625],{"_key":2609,"_type":41,"children":2610,"style":50},"64ca5e2e-3f3f-4928-b3e9-8fd729e02c50",[2611],{"_key":2612,"_type":45,"marks":2613,"text":1198},"1311a14e0537",[47],{"_key":2615,"_type":41,"children":2616,"markDefs":2624,"style":50},"ae2a1aca5dd8",[2617,2620],{"_key":2618,"_type":45,"marks":2619,"text":274},"0a4e5f4d2d1e",[47],{"_key":2621,"_type":45,"marks":2622,"text":2623},"7827f45eda4f",[],"Anis Gras; TDB.",[],{"_key":2626,"_type":41,"children":2627,"markDefs":2647,"style":50},"a9afc9742450",[2628,2632,2636,2640,2643],{"_key":2629,"_type":45,"marks":2630,"text":2631},"0252cfd3d57c",[],"Tout droit sortis d'un poème de Rimbaud, Daniel et Nora se retrouvent à la rue. Ils commencent leur boniment devant nous lorsque soudain, tout bascule...\n\n",{"_key":2633,"_type":45,"marks":2634,"text":2635},"ed820b4392f8",[334],"\"Un beau matin, chez un peuple fort doux, un homme et une femme superbes criaient sur la place publique : - Mes amis, je veux qu'elle soit reine ! - Je veux être reine. Elle riait et tremblait. Ils parlaient aux amis de révélation, d'épreuve terminée.",{"_key":2637,"_type":45,"marks":2638,"text":2639},"1f9be921fb71",[],"..Rimbaud, Royaute.\n\n",{"_key":2641,"_type":45,"marks":2642,"text":641},"804a9126c1a1",[334],{"_key":2644,"_type":45,"marks":2645,"text":2646},"df22783c5bd0",[],"\nNous revivons l’histoire de ce couple comme un chemin en arrière dans le temps, un chemin de croix vers leur présent. Ils incarnent l'exemple de ce qu'il ne faut pas faire. La scénographie leur offre une place, un espace pour s’exprimer et nous guider à travers le parcours de leur mémoire. Inspirés par l'analogie entre le théâtre et la vie dans la rue, ce texte accentue notre retour aux origines du théâtre.\n\nUne estrade en bois devient le premier espace de parole, mais aussi un symbole de pouvoir. La verticalité, la différence de niveau et les marches évoquent des images familières, des symboles de pouvoir temporel et spirituel, tout en créant un espace propice au mouvement.\n\nD’un cintre, un tissu en velours brun se déploie lentement tout au long du spectacle. Élégant mais sombre, il rappelle la couleur des couvertures distribuées aux sans-abri. Ce tissu sert de support à une projection vidéo, un tour d’horizon des visages et des interprètes transformés par le temps et les événements. Il devient à la fois couverture pour l’hiver et drapée royale, symbolisant la dualité de l’existence entre dignité et précarité.",[],{"en":2649},[2650,2657,2668,2676,2684,2695,2703],{"_key":2651,"_type":41,"children":2652,"markDefs":2656,"style":50},"74bace32df94",[2653],{"_key":2654,"_type":45,"marks":2655,"text":1249},"d39a9c3801ac0",[47],[],{"_key":2658,"_type":41,"children":2659,"markDefs":2667,"style":50},"9d1a980088c8",[2660,2663],{"_key":2661,"_type":45,"marks":2662,"text":322},"b956265576360",[47],{"_key":2664,"_type":45,"marks":2665,"text":2666},"6991e1a2cbdc",[]," Anis Gras (Fr); TDB ( FR)",[],{"_key":2669,"_type":41,"children":2670,"markDefs":2675,"style":50},"bbaf77b8a20c",[2671],{"_key":2672,"_type":45,"marks":2673,"text":2674},"b9561c8592c60",[],"Straight out of a poem by Rimbaud, Daniel and Nora find themselves on the street. They begin their spiel in front of us when suddenly everything turns upside down...",[],{"_key":2677,"_type":41,"children":2678,"markDefs":2683,"style":50},"538122920831",[2679],{"_key":2680,"_type":45,"marks":2681,"text":2682},"3bf0fad51d420",[],"\"One beautiful morning, in a very gentle people, a magnificent man and woman shouted in the public square: - My friends, I want her to be queen! - I want to be queen. She laughed and trembled. They spoke to friends of revelation, of trials completed...\" Rimbaud, Royaute.",[],{"_key":2685,"_type":41,"children":2686,"markDefs":2694,"style":50},"c26618e57f68",[2687,2690],{"_key":2688,"_type":45,"marks":2689,"text":2031},"61abaa835bce0",[334],{"_key":2691,"_type":45,"marks":2692,"text":2693},"7b97744eead1",[],"We relive the story of this couple as a journey backward in time, a Stations of the Cross towards their present. They embody the example of what not to do. The scenography offers them a place, a space to express themselves and guide us through the path of their memory. Inspired by the analogy between theater and life on the street, this text emphasizes our return to the origins of theater.",[],{"_key":2696,"_type":41,"children":2697,"markDefs":2702,"style":50},"6e664d237f4d",[2698],{"_key":2699,"_type":45,"marks":2700,"text":2701},"ea331d20efdf0",[],"A wooden platform becomes the first space of speech but also a symbol of power. The verticality, the difference in levels, and the steps evoke familiar images, symbols of temporal and spiritual power, while creating a space conducive to movement.",[],{"_key":2704,"_type":41,"children":2705,"markDefs":2710,"style":50},"ad7f1c7471b1",[2706],{"_key":2707,"_type":45,"marks":2708,"text":2709},"66782e373a810",[],"From a rigging, a brown velvet fabric slowly unfolds throughout the performance. Elegant yet dark, it recalls the color of blankets distributed to the homeless. This fabric serves as a support for a video projection, a panorama of faces and performers transformed by time and events. It becomes both a covering for winter and royal drapery, symbolizing the duality of existence between dignity and precariousness.",[],"Roi et reine",{"en":2711},"Cie Libre Parole",{"en":2713},[2716,2730,2739],{"asset":2717,"caption":5,"crop":2720,"hotspot":2725,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":2718,"url":2719},"image-7ff848e74a27a397be6cebc645b39e7eb5f31c65-11621x6226-jpg","https://cdn.sanity.io/images/72lhhwk9/production/7ff848e74a27a397be6cebc645b39e7eb5f31c65-11621x6226.jpg",{"_type":512,"bottom":2721,"left":2722,"right":2723,"top":2724},0.18762352371655355,0.07597790025684932,0.08789731378424659,0.054647992414543614,{"_type":516,"height":2726,"width":2727,"x":2728,"y":2729},0.7577284838689028,0.836124785958904,0.49404029323630133,0.433512234348995,{"asset":2731,"caption":5,"crop":2734,"hotspot":2736,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":2732,"url":2733},"image-0ea625d9ff72d6cd47d69c742c3b9919bd9dc255-13383x7045-jpg","https://cdn.sanity.io/images/72lhhwk9/production/0ea625d9ff72d6cd47d69c742c3b9919bd9dc255-13383x7045.jpg",{"_type":512,"bottom":514,"left":514,"right":514,"top":2735},0.19331349451794366,{"_type":516,"height":2737,"width":13,"x":518,"y":2738},0.8066865054820563,0.5966567472589719,{"asset":2740,"caption":5,"crop":2743,"hotspot":2745,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":2741,"url":2742},"image-673a346b2a996db808ab5ba1b56c2779949a70e5-10531x14303-jpg","https://cdn.sanity.io/images/72lhhwk9/production/673a346b2a996db808ab5ba1b56c2779949a70e5-10531x14303.jpg",{"_type":512,"bottom":514,"left":514,"right":514,"top":2744},0.3730599999999998,{"_type":516,"height":2746,"width":13,"x":518,"y":2747},0.6269400000000003,0.6865299999999999,"Roietreine",{"projectInfo":2750,"projectPhotoGallery":2831,"slugProject":2852},{"artists":2751,"artistsTranslations":2759,"description":2769,"descriptionTranslations":2791,"lieu":5,"lieuTranslations":5,"projectName":2806,"projectNameTranslations":5,"subtitle":5,"subtitleTranslations":5},[2752],{"_key":2753,"_type":41,"children":2754,"style":50},"d3e0103f-b24e-4130-af6e-50928b6d9496",[2755],{"_key":2756,"_type":45,"marks":2757,"text":2758},"8ee201f4-6472-46db-91bd-b290bb35872d",[],"Distribution: De et avec Shiraz Pertev, Scénographie Marta Pasquetti",{"en":2760},[2761],{"_key":2762,"_type":41,"children":2763,"markDefs":2768,"style":50},"f3ab7ea2747d",[2764],{"_key":2765,"_type":45,"marks":2766,"text":2767},"b55c9de78d070",[],"Distribution: By and featuring Shiraz Pertev, Scenography by Marta Pasquetti.",[],[2770,2776],{"_key":2771,"_type":41,"children":2772,"style":50},"38fa7be2-2b7b-4ccd-be25-dc77db66e5a7",[2773],{"_key":2774,"_type":45,"marks":2775,"text":450},"24d4509c8f1a",[47],{"_key":2777,"_type":41,"children":2778,"markDefs":2790,"style":50},"62b0af158548",[2779,2783,2786],{"_key":2780,"_type":45,"marks":2781,"text":2782},"3535d0ccb26f",[],"Héroine, n’est pas qu’une question de la chute d’une Freak.\nIl s’agit surtout de l’histoire de la chute d’un ange.\nC’est un parcours, entraînant une vision, une fable, inhérente à notre condition.\nNous parlons ici de conditions humaines: qu’elles soient sociales, politiques,\nartistiques, ou profondément intimes.\nNous nous confrontons aux paroies de ce que l’on peine à franchir. Ces dernières nous confèrent peu de liberté de mouvements, par moment.\n\n",{"_key":2784,"_type":45,"marks":2785,"text":641},"6ec25903cc8d",[334],{"_key":2787,"_type":45,"marks":2788,"text":2789},"a4b08a8b6f61",[],"\nL’espace scénique est constitué d’un immense filet, tel un haraïss de cirque, qui s’élève et se déploie. Cette toile de suspension, à la fois délicate et puissante, prend différentes formes en fonction de la dramaturgie de la pièce. \n\nÀ mesure que l’histoire se déroule, le filet se transforme, évoquant les émotions fluctuantes des personnages. Parfois, il se resserre, créant une atmosphère de tension et de claustrophobie, tandis qu’à d'autres moments, il s’étend pour offrir une sensation d’ouverture et de liberté. \nAinsi, cet espace scénographique ne se limite pas à un simple décor, mais devient un langage visuel en constante évolution, témoignant des hauts et des bas de la narration.",[],{"en":2792},[2793,2800,2812,2823],{"_key":2794,"_type":41,"children":2795,"markDefs":2799,"style":50},"995781663cbf",[2796],{"_key":2797,"_type":45,"marks":2798,"text":1108},"31ec61b0e55a0",[47],[],{"_key":2801,"_type":41,"children":2802,"markDefs":2811,"style":50},"20a9ffd2355a",[2803,2807],{"_key":2804,"_type":45,"marks":2805,"text":2806},"fc3f58392d8b0",[334],"Héroïnes",{"_key":2808,"_type":45,"marks":2809,"text":2810},"008eb097ec4d",[]," is not just about the fall of a freak; it is primarily the story of the fall of an angel. It is a journey that leads to a vision, a fable inherent to our condition. Here, we discuss human conditions—social, political, artistic, or deeply intimate. We confront the barriers that we struggle to overcome. These barriers grant us little freedom of movement at times.",[],{"_key":2813,"_type":41,"children":2814,"markDefs":2822,"style":50},"13ed7691c69e",[2815,2818],{"_key":2816,"_type":45,"marks":2817,"text":2031},"aa7eda6d1cf20",[334],{"_key":2819,"_type":45,"marks":2820,"text":2821},"593a40e69e8e",[],"The stage is composed of a vast net, like a circus haraïss, that rises and unfolds. This suspension fabric, both delicate and powerful, takes on different shapes according to the piece's dramaturgy.",[],{"_key":2824,"_type":41,"children":2825,"markDefs":2830,"style":50},"a10010f0d4c9",[2826],{"_key":2827,"_type":45,"marks":2828,"text":2829},"015c235cd04f0",[],"As the story unfolds, the net transforms, reflecting the fluctuating emotions of the characters. At times, it tightens, creating an atmosphere of tension and claustrophobia, while at other moments, it expands to offer a sense of openness and freedom. 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Au centre, apparaît Le Gouverneur : un héros intrépide, qui ne craint rien, pas même la solitude. Il sait qu’une fois encore, son énergie vitale et son panache triompheront des forces obscures, ancestrales et mystérieuses qui ont toujours conspiré contre lui. Entre professions de foi hédonistes, hymnes à la liberté et délires homophobes, le dernier acte du pouvoir s’accomplit joyeusement, à la fois autoritaire et rebelle, laissant derrière lui des cicatrices béantes.\n\n",{"_key":2907,"_type":45,"marks":2908,"text":2909},"9930e1e9f9d3",[334],"Silvio's Glam Democracy",{"_key":2911,"_type":45,"marks":2912,"text":2913},"dce7f1fa6d35",[]," ne se veut pas un simple instant-play, mais un projet de poésie civile dont la fonction démystificatrice et désacralisante dépasse la conjoncture politique immédiate. La Glam Democracy se propage comme un virus puissant à travers la plupart des États occidentaux. La démocratie ne défend plus les droits des citoyens ni ne construit des mondes plus justes ; elle s’illustre par une identification passive à la rockstar politique de service. C'est la conséquence directe de ce \"génocide des cultures vivantes\", pour parler comme Pier Paolo Pasolini, qui a tué l’être en le remplaçant par une image spectaculaire.",[],{"en":2916},[2917,2924,2934,2942],{"_key":2918,"_type":41,"children":2919,"markDefs":2923,"style":50},"0debd23492fd",[2920],{"_key":2921,"_type":45,"marks":2922,"text":1853},"c38cbe79b6430",[47],[],{"_key":2925,"_type":41,"children":2926,"markDefs":2933,"style":50},"1b985db8c1b2",[2927,2930],{"_key":2928,"_type":45,"marks":2929,"text":835},"beddd61572960",[47],{"_key":2931,"_type":45,"marks":2932,"text":1827},"6817ab5681f7",[],[],{"_key":2935,"_type":41,"children":2936,"markDefs":2941,"style":50},"d36e682d71e3",[2937],{"_key":2938,"_type":45,"marks":2939,"text":2940},"13b46b1835b40",[],"On stage, an apocalyptic atmosphere reigns, highly electric. At the center appears the Governor: an intrepid hero who fears nothing, not even solitude. He knows that once again, his vital energy and panache will triumph over the dark, ancestral, and mysterious forces that have always conspired against him. Amidst hedonistic professions of faith, hymns to freedom, and homophobic rants, the last act of power joyfully unfolds, both authoritarian and rebellious, leaving behind gaping scars.",[],{"_key":2943,"_type":41,"children":2944,"markDefs":2952,"style":50},"633783d6b41e",[2945,2948],{"_key":2946,"_type":45,"marks":2947,"text":2909},"5af9510bcc420",[334],{"_key":2949,"_type":45,"marks":2950,"text":2951},"9aae9eda6ee6",[]," is not intended to be a mere instant play, but rather a project of civic poetry whose demystifying and desacralizing function transcends the immediate political context. The Glam Democracy spreads like a powerful virus through most Western states. Democracy no longer defends the rights of citizens or builds fairer worlds; it is characterized by a passive identification with the political rockstar of the moment. 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Son couple chancelle, sa mère s’éteint doucement, son estomac se noue. L’entreprise, indifférente, continue son chemin, licencie et broie les plus faibles. Et la vie poursuit son cours… pour certains.\n\n",{"_key":3059,"_type":45,"marks":3060,"text":1839},"b7322a1cebc8",[334],{"_key":3062,"_type":45,"marks":3063,"text":3064},"838d48db52bb",[],"\nAu centre du plateau, une silhouette de maison se dresse, symbole d’un foyer rassurant et de l’intimité. Mais cette maison se fragmente peu à peu. Derrière sa façade se révèlent d’autres éléments, extraits littéralement de sa façade au fil de la pièce, chaque manipulation laissant un vide irréversible. Graduellement, la maison se désagrège, ne laissant qu’une ossature dénudée, vidée de son sens.\n\nLes éléments retirés sont des volumes stylisés, formant des meubles de la maison – bureau, chaises – modulés selon la scène. L’intimité est ainsi exposée, un univers intérieur livré au regard.\n\n",[],{"en":3067},[3068,3075,3085,3093,3104],{"_key":3069,"_type":41,"children":3070,"markDefs":3074,"style":50},"13f845776bfa",[3071],{"_key":3072,"_type":45,"marks":3073,"text":1108},"715f68a02b0f",[47],[],{"_key":3076,"_type":41,"children":3077,"markDefs":3084,"style":50},"f51bcc3d6782",[3078,3081],{"_key":3079,"_type":45,"marks":3080,"text":835},"c75bf0d91a4e0",[47],{"_key":3082,"_type":45,"marks":3083,"text":3049},"fb8ab5d7b0f4",[],[],{"_key":3086,"_type":41,"children":3087,"markDefs":3092,"style":50},"930245003d2e",[3088],{"_key":3089,"_type":45,"marks":3090,"text":3091},"3ffcf8a477080",[],"This is the story of Bruno, HR director in a successful company, where profits accumulate while life gradually unravels. His relationship is faltering, his mother is slowly fading away, and his stomach is in knots. The company, indifferent, continues on its path, laying off employees and crushing the weakest. And life goes on... for some.",[],{"_key":3094,"_type":41,"children":3095,"markDefs":3103,"style":50},"db8a581f1e86",[3096,3099],{"_key":3097,"_type":45,"marks":3098,"text":1880},"d2179efdc58c0",[334],{"_key":3100,"_type":45,"marks":3101,"text":3102},"734bcea43ea7",[],"\nAt the center of the stage stands a silhouette of a house, a symbol of a reassuring home and intimacy. But this house gradually fragments. Behind its facade, other elements are revealed, literally extracted from the facade throughout the play, each manipulation leaving an irreversible void. Gradually, the house disintegrates, leaving only a bare skeleton, stripped of its meaning.",[],{"_key":3105,"_type":41,"children":3106,"markDefs":3111,"style":50},"ea6b822c245e",[3107],{"_key":3108,"_type":45,"marks":3109,"text":3110},"deff233a4ff70",[],"The removed elements are stylized volumes forming the furniture of the house—desk, chairs—modulated according to the scene. Intimacy is thus exposed, an inner world laid bare for all to see.",[],"Dans la joie et dans la bonne humeur",{"en":3112},"Cie La distillerie",{"en":3114},[3117,3121],{"asset":3118,"caption":5,"crop":5,"hotspot":5,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":3119,"url":3120},"image-101e35afb6d5c8e05945ada1dbf94ad5e8d3b777-6912x3456-png","https://cdn.sanity.io/images/72lhhwk9/production/101e35afb6d5c8e05945ada1dbf94ad5e8d3b777-6912x3456.png",{"asset":3122,"caption":5,"crop":5,"hotspot":5,"imgAlt":5,"mediaType":359,"videoUrl":5},{"_id":3123,"url":3124},"image-d7694497486bdbf32c5d3c0b0c3c8435ad805b59-6912x3456-png","https://cdn.sanity.io/images/72lhhwk9/production/d7694497486bdbf32c5d3c0b0c3c8435ad805b59-6912x3456.png","dans-la-joie",1788706198215]